Video editor in Sydney Australia!
Thank you Liam! I did have a suspicion that the 320ISO was an issue as well, but wasn't sure. Great to get some insight from other C100 users!
I was actually thinking of doing some tests comparing C-Log and Wide-DR around this issue, because I've never noticed it this bad when I've done shoots for clients that has been outside. Reason being is because most of it has been fast turnaround projects, so I've used wideDR instead.
Might have to try it and see how I go.
Hi Joseph! Thanks for a great answer. Just a question as colour grading is probably my least experienced area: How would you go about adding grain to the canon log? Do I need plug ins or would it work with stock files to add on top?
I was thinking the same! Do you (or anyone) have any experience with mixing Canon and Sony footage? Would it be worth getting as a B-Cam?
Duplass says in the keynote that a thousand dollars is variable. And I agree, if you can (and have to), put more money into it. I think the point he's trying to make is to get people off their excuses and just encourage people to make something, even if it costs more time, shooting on weekends and asking for favours than putting in a heap of money.
It's more about working your way up than being stuck in a mindset that says : "If I only had... Then I'd make a short/feature.."
The bonus of making something for almost nothing, is that if it's great, people will see that you are good at making the most out of what you have, and the end product looks like it was made for way more.