> For cinema, a super 35 sensor is "full frame", for that format.
Depends on the cinema format. Not all cinema film stock is Super 35 or similar (for which this is true). Add anamorphic conversions to that and it can have totally different "full frame" and/or DoF
That's wrong, since there are various kinds of movie films (including various kinds of "35mm films".
Super 35 film is close to APS-C size, so 50mm there is more or less the same as50mm on an APS-C sensor.
What would be the problem with a DP posting about generic shots? Everybody should have been born knowing all about them?
Actually your comment sounds like a reason why nobody should hire you. Negative, insulting, unprofessional, and all with zero content of actual critique to offer.
Maybe don't use random internet terms without understanding their meaning first? Complaining about the quality of a website is in no way trolling.
Besides, the website is not free labor of love either -- it's makes money off of ads and sponsorships.
If they're making money off of their readers, then the readers DO have a right to complaint for bad content -- and the complaint is beneficial to the owners of the site too as a warning of a increasingly dissatisfied readership. Much more beneficial than people just quitting reading the site.
> Creative Europe Media, the EU-supported film and TV financing program responsible for 26 films that played at Cannes this year, contributes a significant amount of money to British filmmakers. Between 2007 and 2015, it contributed €130 million to the film industry, contributing to production budgets, distributors, and festivals alike.
So EU gave ...€130 million distributed over 8 years?
That amounts to the budget of a single middle-budget Hollywood production (e.g. no Avengers or Avatar territory).
If that's the biggest "loss" for British cinema for Britain leaving the EU, they'll do find.
The British can give the same amount to their film-makers (which in the end amounts to pocket money compared to UK's GDP) as part of a National program for the arts if they care to...
a) Sounds so easy. So why didn't you rip the "Hong Kong film industry for ideas" (or any untapped industry) to get YOUR start? Why didn't 10,000 other aspiring directors at the time?
b) Tarantino never said he doesn't get what he likes from other directors. If anything he made it absolutely clear that he's a great cinephile, and that he gets inspirations from several kinds of genre movies, to the point of having his characters reference old movies by name, or hiring actors that played originally in those movies, and of course, waxing lyrically in his interviews about their directors.
He did copy parts from Hong Kong movies (e.g. City of Fire) but it was the less relevant to being a director parts -- the plot. The cinematography and direction etc is totally different.