It is a shame he didn't go with a 4K worflow, I still remember Argo sequences shot on 16mm (or was it 8mm?) were absolutely beautiful.
Will we see it at work in Woody Allen's 2018 film?
Can we expect AV1 codec support?
The person who created this infographic is at least uninformed about the reality and what happens in the projection booth... The 35mm is a lot lower resolution than 2K, with the 70mm around 4K, and the IMAX 70 around 5K or something like this. And this is only about the resolution, but what about all other things? If You have seen a movie in Dolby Cinema You know that is absolutely the best of the best with contrast ratio nearly around 1.000.000:1, and do not forget the audio experience that is severly limited in the anolog world. In Italy at the legendary Sala Energia, Arcadia Cinema, one of the best venue on the heart, everyone, including projectionist, preferred the 4K version of Interstellar compared with the 70mm.
My only question is why did You choose to go with just 2K instead of going in full 4K resolution? Thanks.
I wonder why nearly no one has used/is using the Sony F65, what do You think?