Thanks Steve for the clarification and the original demo. Say a lot about the editorial strictures of NFS I'm afraid.
Nice article, thanks. It's funny how sometimes good articles don't get any comments.
They have now. About bloody time!
Totally, I remember that the mine sequence in Temple of Doom was shot on an adapted Nikon at 9 frames a second so they could mount the camera on the rails for POVs within the scaled down set. The resolution on the Canon is going to be well outside the parameters for what they need in stills mode.