Horror Lighting 101: How to Use Uplighting in Fresh, New Ways to Scare Your Audience

V Renée | October 27, 2018

Why You Need These $10 Crab Clamps in Your Filmmaking Life

V Renée | October 26, 2018

How to Use the J, K, and L Keys in Premiere Pro to Speed Up Your Workflow

V Renée | October 26, 2018

Here's Looking at You, FilmStruck: Streaming Service to Shut Down

George Edelman | October 26, 2018

Full Frame Lens Announcement: Venus Optics Shows Off Laowa 10-18mm f/4.5-5.6

Jourdan Aldredge | October 26, 2018

Top 5 Script Writing Tips from an Acquisitions Executive

Evan Littman | October 26, 2018

Austin Film Festival 2018
'The Dancing Dogs of Dombrova': Why Wintertime in Eastern Europe is Perfect for Absurdist Family Drama

Christopher Boone | October 26, 2018

How To Get An Agent For Writers, Directors, Or Actors (FREE Checklist)

Jason Hellerman | October 26, 2018

What Makes Canon’s Color Science So Special?

Jourdan Aldredge | October 26, 2018

What Does the End of Inception Mean?

Jason Hellerman | October 26, 2018

4 Tips to Give You the Inspiration You Need to Make Your First Feature

Paula Bernstein | October 26, 2018

In Theaters
How ‘3100’ DP Shoots Doc Like Fiction: ‘Capture Images You’ve Never Seen Before’

Oakley Anderson-Moore | October 26, 2018

VIMEO STAFF PICK PREMIERE
Watch: A Group of Filmmakers Access the Impossible in 'Group'

Jon Fusco | October 26, 2018

FIELD TEST: Flaresticks

Charles Haine | October 26, 2018

The ASC: What Is It, Why Is It Important, and How Do You Get In?

V Renée | October 25, 2018

No DSLR? No Problem. How to Shoot Cinematic Footage with Your Smartphone

V Renée | October 25, 2018

Smartphone Filmmakers Rejoice! Lexar Unveils 512GB A2 microSD Card

Jourdan Aldredge | October 25, 2018

now on itunes
Bill Murray Joins RBG and Mr. Rogers as a Documentary Hero—Here’s How it Happened

Liz Nord | October 25, 2018

THX's 'Deep Note' - 35 Years Later We Get to See the Score

V Renée | October 25, 2018

Meet the First Underwater Housing for the Nikon Z7

Jourdan Aldredge | October 25, 2018

Powered by Content Creators, is SVOD Platform ZEUS a Game Changer?

George Edelman | October 25, 2018

Field Test: SmallHD 703 Bolt

Charles Haine | October 25, 2018

Austin Film Festival 2018
'The Amaranth': How Pushy Octagenarians and Paul Thomas Anderson Inspired An Unsettling Tale

Christopher Boone | October 25, 2018

In Theaters
How a Filmmaker Turned the Camera on Artists and Opulence in 'The Price of Everything'

Oakley Anderson-Moore | October 25, 2018

In Theaters
'Little Women': How Letting Go of Traditional Coverage Can Be Liberating

Emily Buder | October 25, 2018

INDIE FILM WEEKLY
Our Thoughts on the New MacBook Pro & Where to Submit Your Film Online [PODCAST]

Jon Fusco | October 25, 2018

How To Sell A Screenplay In Hollywood

Jason Hellerman | October 24, 2018

Fujifilm Promises to ‘Never Go Full Frame’ - And Why That’s Great for Filmmakers

Jourdan Aldredge | October 24, 2018

How Palette Gear can Improve Your Video Editing Efficiency

Piotr Toczyński | October 24, 2018

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