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The new camera being able to record 4:2:2 10-Bit 4K video internally is officially announced and pre-orders can now be placed for delivery in April.
Will you buy one?
Yes, but I'll buy locally when it's in the stores. ( I want to be sure that if there's a problem I can swap it for another unit right away )
January 5, 2017 at 3:52AM
Im preordering mine as soon as I get my next check
January 5, 2017 at 3:59AM
Only if the rolling shutter is way better than the GH4. I'd never buy a camera I haven't evaluated!
January 5, 2017 at 8:09AM, Edited January 5, 8:10AM
GH5 4K rolling shutter has been cut from 22 milliseconds to 15 milliseconds, which is the same as the Blackmagic Ursa Mini 4.6K, Canon C300, and Sony FS7.
January 5, 2017 at 10:47AM
Hmm, that's borderline for me; I bet it's less in 1080p mode, but I'm concerned about alias/moire at that resolution. I'll have to wait and see some video and maybe even play with one before committing. It does look promising though.
Thanks for the info!
January 6, 2017 at 4:12AM, Edited January 6, 4:15AM
It is disappointing that the dynamic range has not improved.
January 5, 2017 at 1:43PM
On paper both the GH4 and GH5 have a V-log dynamic range of 12 F-stops.
In reality the GH4 captures only 11 F-stops of dynamic range when recording internally.https://www.youtube.com/watch?v=vrnqe93OJIU&t=875s
Several GH5 beta testers have stated that the camera is delivering the full 12 F-stops of V-log dynamic range, so it would appear that the GH5 has at least 1 F-stop of DR over the GH4. ( even though on paper they are supposed to be the same 12 F-stops )
What also interests me is the GH5 high ISO performance, which looks to be at least 1 F-stop better than the GH4. ( 1600 / 3200 is very usable with a bit of NR in post )https://www.youtube.com/watch?v=IjiyBpR4318
January 5, 2017 at 4:52PM
I spoke with a Panasonic rep at CES and was told that the GH5 will ship without V-Log and it will still be a $100 extra - so factor that into the price if you are counting on using VLOG. When I asked why it is not included I was told "because it is essentially a consumer camera" and they didn't want to field a million questions from amateurs who were not able to work with log footage. I think that is lame.
January 11, 2017 at 3:46PM
At tha price point and the features you cant get everything you want.. its a $2,000 camera! Light your set!
January 9, 2017 at 7:18PM
Here is an interview with Uematsu Michiharu from Panasonic about the GH5. Dynamic range is also discussed and what I get from it is that it is pretty much the same as the GH4. Disappointing but true!
January 6, 2017 at 8:22AM, Edited January 6, 8:22AM
Nick Driftwood, one of the GH5 beta testers has stated that the GH5 dynamic range is a big improvement over the dynamic range that the GH4 captures.
Here's a comment from Dan Chung ( filmmaker and editor of NewsShooter.com ) stating what Nick Driftwood said to him...
"Nick tells me he believes the Lumix GH5 definitely has big improvements over the GH4 in DR and even though 2 thirds of a stop is probably where its at, it definitely appeared perceptually to be around a stop better." : https://vimeo.com/198489956
I can't wait until April to try this out myself.
January 7, 2017 at 11:19AM, Edited January 7, 11:23AM
Guys, this might be a dumb question, not sure since I'm relatively new to film making, but would love to get your advice on this:
I currently use EF and EF-S lenses on my GH4 with the Aputure Lens Regain adapter. But apparently there's no crop factor in 4K on the GH5.
So what effect would my current focal reducer have if fitted to the GH5? Will it work or should I just sell the Lens Regain and buy a MFT to EF adapter without focal reduction?
January 7, 2017 at 7:40AM, Edited January 7, 7:40AM
I think that's a big unknown right now, as I'm sure some SpeedBooster + lens combinations that worked for the GH4 won't work for the GH5 because the crop factor is now 2.0.
Veydra stopped working on their new anamorphic primes for the GH4 because they were told that GH5 anamorphic would be very different than GH4 anamorphic.
Hopefully Vedra will release their new anamorphic primes when the GH5 10-bit 4:2:2 400 Mbps anamorphic upgrade is released this Summer. ( it might even be a 5K format if it uses the full sensor ) Should be a killer combo.
January 7, 2017 at 10:25AM, Edited January 7, 10:30AM
Thanks Guy, I just had to go do more research as everything I had read or watched said it didn't have any crop factor at all.
Did find a clip on youtube specifying 2.0 crop over full frame. So does that mean a 50mm full frame lens becomes a 100mm?
About 1:36 in he talks a little bit about the cropping but don't exactly understand. Any chance you could clarify this? I'm not sure I'm quite understanding it right.
January 7, 2017 at 4:24PM, Edited January 7, 4:24PM
Yes, the GH5 has a crop factor of 2.0 relative to the Full Frame format. This means that a 50mm lens on the GH5 will have the field of view of a 100mm lens on a Full Frame camera.
So the easy translation is to simply cut the Full Frame focal length in half to figure out what the GH5 equivalent would be.
For example a 24mm wide-angle lens on a Full Frame camera would translate to a 12mm lens on the GH5.
A Full Frame 35mm moderate wide-angle becomes a 17.5mm moderate wide-angle on the GH5.
A Full Frame 85mm portrait lens becomes a 42.5mm portrait lens on the GH5.
January 7, 2017 at 4:48PM
That's not 100% correct ,it's actually the other way around. A 24mm wide angle lens on a Full Frame camera would translate to a 48mm lens on the GH5 etc.
January 9, 2017 at 10:04AM
Actually no. A Micro 4/3 sensor is roughly half the width and half the height of a Full Frame sensor, so to match the FOV ( field of view ) of a Full Frame lens you would use a lens that is half the focal length.
Tony Northrup has a pretty good video that covers this...https://www.youtube.com/watch?v=f5zN6NVx-hY
You can see that the 200mm lens on the Full Frame camera matches the look of the 100mm lens on the Micro 4/3 camera.
January 9, 2017 at 4:51PM, Edited January 9, 4:52PM
Actually Tony Northrup explains it perfectly and is the other way around as you say, a 200mm lens of a FF camera becomes 400 on the M4/3 (look at the sensor size comparing), a 24 mm on FF becomes 48 on M4/3 and so on.
January 16, 2017 at 11:10AM
Confirmed - 6K anamorphic will be released in a firmware update about 6 months after the camera is released.
January 13, 2017 at 6:48PM
If your Lens Regain works when you are shooting in 1080p mode on the GH4 it should have no problem working on the GH5 in 4K since they are effectively the same size area, despite being different sensors.
January 7, 2017 at 11:05PM
iPhonedo published a CES 2017 interview with a Panasonic rep. At around the 4:00 mark the Panasonic rep talks about the Summer firmware upgrade that will enable 400 Mbps 10-bit 4:2:2 FULL SENSOR anamorphic recording, which would be a 5K shooting mode. He also mentions non-anamorphic OPEN GATE 400 Mbps 10-bit 4:2:2 FULL SENSOR recording, where you do your 16:9 cropping in post from the FULL SENSOR recording : https://www.youtube.com/watch?v=IbGTmGReDdc
January 8, 2017 at 1:37PM, Edited January 8, 1:37PM
Yes that sounds like a smash!
Perhaps a re-revival of anamorphic is on its way!
January 9, 2017 at 11:24AM
It's intriguing, especially owning the low light loser (ursa mini 4k) I'd love some more flexibility with internal 4K that is not a A7sii
January 9, 2017 at 2:08PM
180fps Panasonic GH5 Film : "Bored" by Neumann Films
( with links to download GH5 camera footage )https://www.youtube.com/watch?v=tB2o6H-AfjM
January 10, 2017 at 6:15PM, Edited January 10, 6:17PM
Luke Neumann's GH5 Metabones Speedbooster Testhttps://www.youtube.com/watch?v=duiWkHOLYoM
Nice looking footage.
January 16, 2017 at 5:47PM
New hour long video where Panasonic rep Matt Frazer covers pretty much everything the GH5 can do : https://www.youtube.com/watch?v=QXVBMBP3mis
January 25, 2017 at 5:35PM
LUMIX GH5 High ISO Grading Test ( up to 10,000 ISO )https://vimeo.com/201425168
January 29, 2017 at 7:57AM