April 5, 2017 at 3:56AM

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The Strange World of Library Music

The history of pop is rarely written by the background players—and even today, when film composers, session musicians, and freelance songwriters eventually get their due, there's still something a bit mysterious and dusty about the field of library music. In short, library music (aka production or stock music) is music recorded in a multitude of contexts and styles by work-for-hire musicians, owned by music-library labels, and lent out to commercial enterprises in TV, radio, and film. Sometimes this music sticks—for instance,Typically relegated to crate-digger curiosities for their role as sample fodder, library music records of the 1960s and '70s tend to hinge more on utilitarian mood-setting than distinct personality. Composers could labor under multiple pseudonyms, artist names were frequently relegated to the back sleeve.
Tahnks,
I didn't find the right solution from the internet.
http://pitchfork.com/features/starter/9410-library-music/
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