In the market for some glass for your smartphone? SIRUI USA has launched a pair of intriguing new mobile lenses. The first is the TL-400, a 400mm telephoto lens, and the other is the VD-O1, a 2:4:1 anamorphic lens, and both have some pretty sweet specs.

Let's take a closer look.


TL-400mm Lens

The TL-400 long focus lens has features not normally found on mobile phone lenses:

  • Aircraft aluminum housing components
  • German manufactured Schott Optical glass lens elements
  • Multilayer, anti-reflective coatings, with high light transmission levels
  • Precise color rendition
  • Reduced vignetting and distortion

The TL-400 is being sold as a kit, with, in addition to the lens:

  • Lens cage
  • Mini table top tripod and ball head
  • Bluetooth remote controller
  • Storage case

Sirui TL-400mm lens on phoneSIRUI TL-400mm telephoto lens

TL-400mm Lens Kit Sirui-USAComplete TL-400 lens kit

Sirui TL-400mm Comparison with Mobile Lens

The TL-400 kit is available now and costs $149.90.

VD-01 Anamorphic Lens

The VD-01 has some shared materials with the TL-400:

  • Aircraft aluminum housing components
  • German manufactured Schott Optical glass lens elements
  • Multilayer, anti-reflective coatings, with high light transmission levels

However, the VD-01's "retro style" anti-reflective coating produces what SIRUI calls "sci-fi light leak and flares effects." The lens shoots at a 2:4:1 aspect ratio. It attaches to your phone with the included SIRUI mobile lens clip adapter. Additionally, the lens is compatible with the SIRUI Circular Polarizer and Adjustable ND filters, both sold separately. The SIRUI Lens App or FiLMiC Pro are required to activate anamorphic shooting with the lens.

SIRUI VD-01 Anamorphic Lens

SIRUI VD-01 Anamorphic Comparison to Mobile Lens

The VD-01 lens, storage case, lens cover, lens clip, lens cloth, product and app instructions are included in the box. The VD-01 is currently available for $99.90.

Sirui VD-01 anamorphic clip on mobile lens

We love mobile cinematography, but much of the add-on gear hasn't lived up to our hopes. We're very curious, given the materials, about these two lenses. We'll let you know as soon as we get our hands on a set and can test them.

Let us know in the comments whether you think add-on lenses are worth the effort for mobile cinematography, or if you have good examples that you want to share with everyone.