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Tutorial: Nifty Expression to Get Parallax Scrolling in After Effects

7 years ago by V Renée

V Renée

Blackmagic DaVinci Resolve 10 Final Release Now Available, Free Version Supports Up to 4K

7 years ago by Joe Marine

Joe Marine

Replicate the Anamorphic Look and Feel with Vashi Nedomansky's Free After Effects Plugin

7 years ago by V Renée

V Renée

Adobe Releases Premiere Pro CC 7.1 with Easier SpeedGrade Workflow & Native CinemaDNG Support

7 years ago by Rob Hardy

Rob Hardy

The Mathematical Editing of Sergio Leone's 'The Good, the Bad, and the Ugly'

7 years ago by V Renée

editing

westerns

spaghettiwestern

thegoodthebadandtheugly

clinteastwood

Max Tohline

Sergio Leone

V Renée

Endcrawl Creates Your End Titles, with Unlimited Renders, for One Flat Fee

7 years ago by V Renée

V Renée

Caleb Pike Shares 7 Tips on How to Shoot for the Edit

7 years ago by Rob Hardy

Rob Hardy

Understanding the Hidden Editing in Hitchcock's 'Rope'

7 years ago by V Renée

V Renée

Hawaiki Color Brings Traditional Color Correction Interface Back to FCPX

7 years ago by Rob Hardy

Rob Hardy

Attend the DSLR Dynamics Tour and Sharpen Your Filmmaking Skills

7 years ago by V Renée

V Renée

Low-Budget Editing Techniques for Action Sequences

7 years ago by V Renée

V Renée

Blackmagic Releases New DaVinci Resolve 10 & Resolve 10 Lite Color Grading Suite

7 years ago by Joe Marine

Joe Marine

Tired of Long-Distance Video Collaborations? 'First Cut Pro' Wants to Make the Process Faster & Easier

7 years ago by Joe Marine

Joe Marine

Dave Kendricken

Edit Blackmagic & Magic Lantern RAW Right in Premiere with Ginger HDR

8 years ago by Dave Kendricken

Dave Kendricken

Perfect by Proxy: A Brief Look Into What 'Offline/Online' Means

8 years ago by Dave Kendricken

Dave Kendricken

Do's & Don'ts of Filmmaking from 'Albert Nobbs' Producer Julie Lynn

8 years ago by V Renée

V Renée

Video: Get Up to Speed with the Best New Features in Media Composer 7

8 years ago by Rob Hardy

Rob Hardy

Watch Three Student Films Made by Martin Scorsese While at NYU

8 years ago by Justin Morrow

Justin Morrow

DaVinci Isn't Just for Color Correction, It Can Also 'Resolve' Your Metadata Issues

8 years ago by Dave Kendricken

Dave Kendricken

Kijek / Adamski Bring the Flow in Their 32-Pass Motion Control Promo 'Slang 2'

8 years ago by MarBelle

MarBelle

'The Scorsese Machine': Amazing 1990 Documentary Shows Rarely Seen Side of a Master Director

8 years ago by Justin Morrow

Justin Morrow

Giving Credit to Credits: Check out This Documentary on Title Sequence Savant Saul Bass

8 years ago by V Renée

V Renée

Transitions in Editing: the History and Evolution of the Dissolve

8 years ago by V Renée

V Renée

Want an Alternative to the Three Major NLE's? Give Grass Valley's Edius a Try

8 years ago by Rob Hardy

Rob Hardy

Karen Schmeer Film Editing Fellowship Offers Mentorship, Cash, and Cred

8 years ago by Oakley Anderson-Moore

karenschmeerfilmeditingfellow...

karenschmeer

Oakley Anderson-Moore

Eterna: Watch the Most Epic Movie Trailer Ever (For a Movie That Doesn't Exist)

8 years ago by Justin Morrow

Justin Morrow

Check out 7 Filmmaking Tips from Indie Film Icon Kevin Smith

8 years ago by V Renée

V Renée

Cutting a Woody Allen Movie: Editor Alisa Lepselter Discusses Their Process

8 years ago by Justin Morrow

Justin Morrow

Premiere Pro Tutorial: Learn to Read Scopes with Larry Jordan

8 years ago by Rob Hardy

Rob Hardy

Pages

Dante J. Aubain

Screenwriter/Director

101

How to replicate this color grading style?

4 years ago by Madison Young

Madison Young 67

Radio Hits for Wedding Videos

4 years ago by Gusto Lopez

Gusto Lopez

108

If I convert from Sony A7Sii S-Log3 XAVC footage to ProRes (LT and higher), will I lose the flexibility in the colouring stages if I were to grade in ProRes?

5 years ago by Joshua Laplap

Joshua Laplap

Director / Editor

Which iMac would suit me best?

6 years ago by Stephen Campbell

Apple iMac

editing

Final Cut Pro

Post Production Audio

Stephen Campbell 109

Best iMac for $1500

5 years ago by Lucas Veltrie

Lucas Veltrie

Director/Cinematographer/Producer/Actor

151

Media Composer: to buy or not to buy? (in my case) or FCPX?

5 years ago by Kazu Okuda

Kazu Okuda

Filmmaker

1734

Memorable trailers

6 years ago by Alex Richardson

trailer

editing

edit

Alex Richardson

Director

3782

Adobe Premiere Pro desktop vs cloud

5 years ago by Pablo Goldbarg

adobe

editing

Pablo Goldbarg

Writer/Director

I have a thunderbolt to SATA adapter. Works great for 3.5" drives. If I were to buy an older RAID enclosure with an eSATA port, would going eSATA>SATA>Thunderbolt be ignorant and inefficient?

4 years ago by Jeremy Freedberg

it feels so pointless

i suppose it'll help someone...

prolly not tho

Jeremy Freedberg 137

Short Film Post Production, Editing, and Sound

5 years ago by GFB Productions

GFB Productions 99

Alternative codecs for Windows based systems.

6 years ago by Mehmet Kerem Etes

Mehmet Kerem Etes

Director, Editor & Drone Pilot

Animated Titles (specific request + budgeting)

4 years ago by John Haas

John Haas

Cinematographer

971

Particle Effects

5 years ago by Tom Warwick

Tom Warwick

Writer/Director

306

Is there any way to remove DSLR grid guides baked into footage within a Shogun Flame?

3 years ago by Michelle Larson

dslr

Shogun Flame

editing

Michelle Larson

Photographer/Videographer

What is up with LED flicker on my footage?!

5 years ago by Claudia Butters

Claudia Butters

168

would you like to explore screen direction?

3 years ago by Elmoutasam Aziz

Elmoutasam Aziz

Chief Learning Officer

222

Found a hard drive from 4 years ago, so I made something

5 years ago by Ty Besh

Ty Besh

Sponge

241

Playback performance issues on Nuke Studio Non-Commercial

4 years ago by Luca Cherubin

Luca Cherubin 76

Sony A7S Video Highlights IRE 110

6 years ago by Callum H

Callum H 88

Creative Cloud for Students not Available

5 years ago by Igor Smitka

Igor Smitka

DP, editor

150

Choosing the right project frame rate for showreel?

4 years ago by Ehab Eazy Ismail

Ehab Eazy Ismail

Director/D.O.P

140

Ben Gill

Creative Director at Oxenfree Design

103

Using Cineform as editing codec

4 years ago by Scott Oswald

Scott Oswald 191

3d lut in Davinci Resolve

3 years ago by Stephen Herron

Stephen Herron

Writer/Director

1937

16:9 to 4:3

4 years ago by Robert Picciano

Robert Picciano

Student

129

About Best Budgeting macbook pro for editing

5 years ago by chrisna widiarsa

editing

macbook pro

DaVinci Resolve

chrisna widiarsa 96

Professional video-editing set-up

6 years ago by Joris Willems

Joris Willems

Post-Producer

8 Lessons From Thelma Schoonmaker

5 years ago by Taylor Cook

Taylor Cook

Content Creator

Crew Talk: Editing - How to specialize and do what you love.

5 months ago by Corbin Peters

Corbin Peters

Producer

222