Adam R. Taylor
Director/DP
A full service boutique production studio. Live action production and post, as well as, animation and design. Client list includes: Disney/Pixar, MGM, MTV, VH1, Stan Lee and E! Entertainment.
Websites
AirFox
NFS Score
181
(Sophomore)
Article Comment
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Why DP Roman Vasyanov Chose Anamorphic & More Tales from Shooting 'Suicide Squad'
7 years ago
Article Comment
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Are Shorts the Future of Commercials?
7 years ago
Tony Scott is the bomb, literally. I love The Hire. His films have a beating pulse that gets in ur guts. I'm down for this ad trend if entertaining, but the product/brand delivery better be f-n graceful.
Article Comment
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First Look at Stunning Footage Shot on RED's WEAPON with HELIUM 8K S35 Sensor
7 years ago
i think the lenses look clinical as f*#k, no love. in my opinion, many skilled dp's could get that look with most cameras. the compression is so bad on the vid too.
Article Comment
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Modern Filmmakers Are 'Content Creators': How to Break into Digital TV
7 years ago
Any leads on the best in-person LA filmmaker groups, events, etc?
I want to know more bout why they had a tungsten and daylight prepped simultaneously. Simply to change the look from a prev/later scene that takes place there? or in case they brought in a few HMI's? Love some deeper digging on this point.
Will Smith took me out of the magic of the picture tho- DeadShpool Hancrock. I like him as an actor, just not here as its obvious he was brought in for his bankability. I generally don't like seeing super heroes play other super heroes. I have other issues with this film not going hard enough, El Diablo just watching for the first 2/3, but the popcorn has been sold. I think a 4 hour cut would serve this film better and allow for more character dev...