Skip to main content
No Film School
Login
No Film School
  • Popular
    • 1. What Canon’s Sensor With 24.6 Stops of Dynamic Range Really Means for Filmmakers +3,666 views
    • 2. The Story Change That Made 'The Last of Us' Episode 3 One of the Best Things on TV Ever +7,434 views
    • 3. Netflix Cancels Two Completed Movies, But They're Not Pulling an HBO Max +7,417 views
    • 4. Is the New Dell 6K UltraSharp 32 a Modern Alternative to Higher-End Reference Displays? +5,069 views
    • 5. We Need to Talk About the 2,000+ VFX Shots in ‘Top Gun: Maverick’ +1,357 views
  • Topics
    • Newest in Screenwriting Do You Know What a "Bodice Ripper" Movie or TV Show Is?
    • Newest in Directing Why Damien Chazelle Believes 'Babylon' Could Not Contain Any "Normal Scenes"
    • Newest in Distribution & Marketing What the Heck Is Netflix's Plan to Stop Password Sharing?
    • Newest in Movies & TV 4 Tips We Learned From THR 2023 Actress Roundtable
    • Newest in Marketplace & Deals Panasonic and Canon Battle It Out — 4 Mirrorless Cameras You Can Afford

Misha Aranyshev

Film Editor

I grew up around film sets and studio backlots learned to splice 35 mm at the age of 10 and genuinely liked the smell of a film lab stop bath. I've been working with digital images since 1994 and for the last two decades, I am in motion picture post-production. I can edit on a flatbed, tape to tape and non–linear.

I edited six feature films, conformed a dozen, was a post-production supervisor on another three. I oversaw projects ranged from 30 sec. commercial spot to multi-episode series. I turned a motion graphics boutique into a postproduction powerhouse. I coordinated vendors across three country borders and six time zones.

I worked with features shot on 35 and 16 mm, R3D, ARRIRAW, and Phantom Cine. I can wire audio and video, I can read scopes and VU-meters, I can ingest, transcode, generate EDL's and cut lists and lay back to tape. I'm not afraid of DCP, IMF, ACES, SAN and LTO. I am trained in Dolby Vision mastering.

Websites IMDB
NFS Score 251 (Sophomore)
  • Recent Activity
  • Recent Posts
Article Comment – Some AFF28 Screenplay Feedback Goes Viral for Its Poor Quality

Like The Black List is any better.

1 year ago
Article Comment – 5 Things You Can Learn From Kevin Smith's Crazy Career

Goodbye, No Film School.

3 years ago
Article Comment – Kevin Smith Breaks Down This Key Scene From 'Jay and Silent Bob Reboot'

That's a second Kevin Smith article in two weeks. A third strike and I quit.

3 years ago
Article Comment – 3 Filmmaking Tips Kevin Smith Gives Us in 'The Making of Tusk'

May we be spared of more Kevin Smith, please? Enough already that he is all over the IMDb.

3 years ago
Article Comment – Here's What Is Missing From the Blackmagic Update

First. Nvidia needs to provide correct API for this functionality. Second, Blackmagic needs to assign a few programmers to make Resolve talk to this API. It doesn't make any financial sense for either company.

3 years ago
Article Comment – Here's What Is Missing From the Blackmagic Update

Rec 709 is close to sRGB and P3 is digital cinema gamut. It is not about "tastes". Video IO is traditionally not only "Out" but also "In". Neither AMD nor NVIDIA cares much about capturing video.

3 years ago

Pages

  • 1
  • 2
  • 3
  • 4
  • »
How to Make Money as a Cinematographer

How to Make Money as a Cinematographer

Take your career — and your day rate — to the next level. How to Make Money as a Cinematographer is a new in-depth online course from No Film School, available now. Watch the Trailer Here!

No Film School

  • About
  • Subscribe
  • Contact
  • Advertise
  • Community Guidelines
  • Terms
  • Privacy
  • DMCA Takedown Notice

Sections

  • Gear Guides
  • Podcasts
  • Popular
  • Topics
  • Pitch to us
  • Boards

Follow NFS

  • circle Facebook
  • circle Twitter
  • circle YouTube
  • circle RSS
© 2023 NONETWORK, LLC. All Rights Reserved.
No Film School