Misha Aranyshev
Film Editor
I grew up around film sets and studio backlots learned to splice 35 mm at the age of 10 and genuinely liked the smell of a film lab stop bath. I've been working with digital images since 1994 and for the last two decades, I am in motion picture post-production. I can edit on a flatbed, tape to tape and non–linear.
I edited six feature films, conformed a dozen, was a post-production supervisor on another three. I oversaw projects ranged from 30 sec. commercial spot to multi-episode series. I turned a motion graphics boutique into a postproduction powerhouse. I coordinated vendors across three country borders and six time zones.
I worked with features shot on 35 and 16 mm, R3D, ARRIRAW, and Phantom Cine. I can wire audio and video, I can read scopes and VU-meters, I can ingest, transcode, generate EDL's and cut lists and lay back to tape. I'm not afraid of DCP, IMF, ACES, SAN and LTO. I am trained in Dolby Vision mastering.
Websites
IMDB
NFS Score
156
(Sophomore)
Article Comment
–
Here's What Is Missing From the Blackmagic Update
2 weeks ago
Rec 709 is close to sRGB and P3 is digital cinema gamut. It is not about "tastes". Video IO is traditionally not only "Out" but also "In". Neither AMD nor NVIDIA cares much about capturing video.
Article Comment
–
Here's What Is Missing From the Blackmagic Update
2 weeks ago
They can and they did. There were Quadros with SDI daughtercards for Autodesk Lustre. But it is more silicon and more lines of code for a tiny market.
Article Comment
–
Here's What Is Missing From the Blackmagic Update
2 weeks ago
There is absolutely no need for a T3 Mini Monitor HD. The one they sell works fine with a T3 to T2 adapter. T3 Mini Monitor 4k is, on the other hand, is long overdue. As for an eGPU/VideoIO combo, I am waiting for it since the first Multibridge.
Article Comment
–
The One Thing 99% of Screenwriters Fail to Do
3 weeks ago
It is a valid observation. The gift to create a causative narration filling 2 hours of screen time is extremely rare. That's why most people resort to simply stringing together a bunch of situations and call it a script.
Boards Comment
–
Why Dialogue Is The Most Important Part Of A Film.
3 weeks ago
I worked on a feature film that had no dialogue at all. Ironically, it was submitted to the Best Foreign Language Film Academy Award nomination.
Dialogue is "the most important" only in the sense a layman is more likely to comment on bad dialogue than on bad camera work or editing simply because it is easier for a layman to articulate.
First. Nvidia needs to provide correct API for this functionality. Second, Blackmagic needs to assign a few programmers to make Resolve talk to this API. It doesn't make any financial sense for either company.