Have you got any examples? Would love to see :)
Well just to add balance to this conversation. I, on the other hand, have had nothing but good things to say about BM products.
For me they've been absolutely rock solid and extremely dependable. My day job is working in a small production unit for a large London based university. Not only do we have cameras that we own and rent (BMCC, Ursa Mini, BMSC4k) but we also have a bunch of production stuff (Atem Switcher, h264 recorders, hyperdecks, etc).
There have been small issues. One of our Studio cameras had audio issues specifically when using the XLR input whilst the video feed is being recorded to an external recorder. In all honesty, getting assistance was amazingly simple - i literally just gave them a call and spoke to an engineer who said they'd test it. A few days later i receive an email confirming that is a new issue they've discovered. About a month later, new camera updates hit and to my surprise there was a fix (this is the current firmware at the time of writing).
Sure, I dont agree with some of the things they do (announcing cameras with long wait times, not keeping us up to date) but at the same time, nobody is doing what they do and the Ursa Mini is one of the best cameras I've ever used. The image is incredible.
Anyway, I hope this was somewhat helpful. Ben is right, go to bmcuser :)
Is it just me but I can't for the life of me, keep track of where the transitions are due to graphics.
Two of my most favourite things in the world.
Can anyone elaborate on how do the scene where all the mirrors are? I get you would do a clean plate, but how do you get a clean plate when you're looking directly in the camera and/or in motion?
Thanks for this. This is what I love about NFS.
Great band and fantastic video.
Would've loved to find out more practical things about cameras and equipment considering they had no budget.