Storyboard it. Try to cut it ahead of time with the boards. Simplify the amount of shots while maintaining what you need for dramatic structure.

Shoot a wide master for sure. You can always go to the master to clear the slate when you need to. Then dive back in to the eye lines.

Give yourself as much time as possible to execute this too.

Correct. The principle is the same but how it actually works is different. Conflating the two is misinformation that tends to be hard to shake in the camera world.

Again. This isn't what causes rolling shutter in DSLR video. And I dare you to show me an example of it in photography with a modern SLR.

This isn't what rolling shutter is. Come on.

This is great. Defintely useful to help people understand flash sync speed limits.

In theory, shouldn't mirrorless cameras have faster sync limits?

I want this camera so bad but I need to not.