Skip to main content
No Film School
Login
No Film School
  • Popular
    • 1. Overused Jokes in Film and TV Dialogue You Should Avoid +2,425 views
    • 2. Explore 100+ Public Domain Fairy Tales for Crafting Your Screenplay +1,660 views
    • 3. These Are Must-Read Screenplays for Any Writer +8,902 views
    • 4. DPReview Has Come To An End—Where Do Creatives Go From Here? +2,194 views
    • 5. Who Are the 66 Best Directors of All Time? +40,687 views
  • Topics
    • Newest in Screenwriting What Are Pyscho-Biddy Films? (Definition and Examples)
    • Newest in Directing What Are Pyscho-Biddy Films? (Definition and Examples)
    • Newest in Distribution & Marketing How to Edit TikTok Videos Using Adobe Premiere Pro (Or Other NLEs)
    • Newest in Movies & TV Keanu Reeves Cut Down John Wick's Dialogue to Just 380 Words
    • Newest in Marketplace & Deals Apple Silicon M2 Is a Power House—Don’t Let These 3 Options Slip Past

Cary Knoop

Member

Websites Homepage
NFS Score 2242 (Senior)
  • Recent Activity
  • Recent Posts
Boards Comment – Zoom H4N PRO/ shotgun mic

You only have one mic so mono should be fine!
Ask yourself what would be the point of recording exactly the same on both channels.

In post you should interpret the audio source as mono.

6 years ago
Boards Comment – Balancing a GH4 with a Stigma 18-35 and metabones speedboaster on a CAME 7000

The Summilux 15mm or the 12mm would be a good pick. Although the latter is rather pricey.

6 years ago
Boards Comment – Can somebody make some affortable anamorphic lenses??

GH5 sensor will not be bigger but they will use the whole sensor area for 4K.

6 years ago
Boards Comment – ShareGrid lens test:

Okay, that's a wrap, I take the Arri Zeiss Master Prime set!

Please let me know if there is a coupon with 99% discount! :)

6 years ago
Boards Comment – Balancing a GH4 with a Stigma 18-35 and metabones speedboaster on a CAME 7000

I would recommend you use prime lenses only. The above mentioned lens is relatively heavy and a problem to balance.

6 years ago
Boards Comment – My DP Shot My Short Film in 29.97 fps

Your prospect is not good. Going from 30p -> 24p is nasty whatever method you wind up using. Reverse telecine only works if it was originally recorded in 24p and telecined to 29.97.

24p to 25p is not a problem.

6 years ago

Pages

  • «
  • 4
  • 5
  • 6
  • 7
  • 8
  • »
BOARDS POST
Panasonic GH5
6 years ago
BOARDS POST
Metabones ULTRA speedbooster with a Sigma 50-100mm F1.8 Problem on Panasonic GX85
6 years ago
BOARDS POST
Panasonic GH5 on its way
7 years ago
BOARDS POST
Virtual Reality, 360 Video, 3D
7 years ago
BOARDS POST
Zoom on the MFT platform, what do you use?
7 years ago
BOARDS POST
The Canon EOS-1D X Mark II - is it going to change the DSLR video landscape?
7 years ago

Pages

  • 1
  • 2
  • »
How to Make Money as a Cinematographer

How to Make Money as a Cinematographer

Take your career — and your day rate — to the next level. How to Make Money as a Cinematographer is a new in-depth online course from No Film School, available now. Watch the Trailer Here!

No Film School

  • About
  • Subscribe
  • Contact
  • Advertise
  • Community Guidelines
  • Terms
  • Privacy
  • DMCA Takedown Notice

Sections

  • Gear Guides
  • Podcasts
  • Popular
  • Topics
  • Pitch to us
  • Boards

Follow NFS

  • circle Facebook
  • circle Twitter
  • circle YouTube
  • circle RSS
© 2023 NONETWORK, LLC. All Rights Reserved.
No Film School