I'm completely fine being that guy...but this has been in FCPx and Motion 5 since 2011. Glad Adobe added this though, going to save us all a lot of time.
Didn't love the grade of Iron Horse. Looks like they dropped a teal and orange LUT on it and called it a day. Image quality and dynamic range were obviously impressive though.
For quality definitely. H.265 is still a pain to edit with like it's h.264 brother. Think prores will always beat it in post.
Odd comparison considering he uses a Red Helium
Was thinking the same about an Epic.
Hence why my BMPCC still gets a ton of work