Christopher Kim
Currently in production on Black Cloud, a documentary about Austin-Travis County EMS. Co-creator of KLRU-TV music doc series Hardly Sound, camera op/editor on KLRU-TV doc series Arts in Context, multiple Lone Star Emmy nominee.
I'm torn.
On the one hand, it's great that there are companies out there devoted to pushing technology.
On the other hand, it seems like Red is making their cameras less and less affordable for guys like me.
Seems like Freefly is making it clear that their market isn't single operator users (like I imagine most of us are).
Still, that's a hell of a technology and certainly makes operation a lot more intuitive. That's never a bad thing.
I may very well end up buying this but what I'm really hoping to see is one of the bigger manufacturers creating something like the Nebula 4000.
The footprint on these gimbals is still fairly large. When I'm on a documentary shoot, I like to minimize my presence as much as possible. As compact as the Ronin M is, I'd still stand out quite a bit. Plus, if I'm out in the field for twelve straight hours even something as light as this is going to be an endurance test.
But, again, this looks pretty great.
This is incredibly helpful. Thanks!
This is genuinely amazing.
Of course, I have no doubt that to get really detailed and expressive work done you'll have to use more traditional methods but Adobe just drastically reduced the barrier of entry for character animation. That's never a bad thing.
The Micro Cinema Camera seems a worthy alternative to the GoPro. I wonder how the IQ compares to the GoPro Hero 4 Black in 4K. Obviously, the former would win in regards to dynamic range at least.
Could be an interesting replacement or supplement for the GoPro.