Chad Stembridge
Cinematographer
Telling stories through film. What's important? Simplicity, nuances, aesthetics, and authenticity. Equipment is important, but nothing compared to vision, creativity, and eyes that can see beauty even in the grit of life.
I've never had anyone specifically ask for it yet, but I give it to them anyway. YouTube/Vimeo supports it, so if that's where it's living to be embedded wherever, it's future proof (for now!). Most people will be seeing a down-converted version, so why not deliver highest quality? Often, I'll also include a 1080 version in case they need it (showing on laptops that can't handle 4K, etc.).
This is pretty cool. Anyone know of something similar for production/business in general, like for when you need to rent a space for a shoot and they require liability insurance?
Good idea, Guy — hadn't thought about it from a center bearing type setup.
Hi Cotton,
FCP X can definitely be overwhelming if you're used to more traditional NLEs (like Premiere), but has a lot of workflow functionality that can make your life easier. Here's the very quick high-level overview of how you want to think about workflow steps:
- Master organization: library/events
- Import media
- Organize assets: set keywords/favorites/rejects
- Edit assembly
- Spice: color, sound, effects, titling
- Export
If you want more explanation on any of those steps, let me know and I'll elaborate!
Also, I'm Apple-certified in FCP X and will be releasing a crash-course in FCP X workflow pretty soon — I'd be happy to share it with you before it goes public if you'd like (shoot me an email through my website listed on my profile here).
A great all-purpose zoom for G7 is Panasonic's 12-35mm f/2.8: http://www.bhphotovideo.com/c/product/865111-REG/Panasonic_H_HS12035_Lum...
That metabones adapter should work with most Nikon lenses.
Similar to what Johan said, you'd be totally safe setting focus for an approximate distance and keeping it there (unless you're doing some kind of shoot needing a focus pull). At the kind of distance you might be shooting (similar to the example you linked), you'd be safe as low as f/5 probably. I'd probably roll as low as 3.5 if I was feeling it.
For reference to my own experience, the car shots in this spot I worked on (https://vimeo.com/173155412) were as low as 2.8 (shot of the car speeding up at 0:29, low angle), probably just above that for most of them.