Thanks Tito! The images from the Great Joy look really pleasing to me. Do you think it’s possible to add an flare filter on top of the lens to get extra flares in the time one occasionally wants them? Or would that not look as authentic?

No, nofilmschool. Not such a horribly clickbaity article.

"-- Sent using iPhone 11 Pro with 3 cameras and 4K 60p / HD 240P video" ;)

It would be great if you could do a one day shoot, with perhaps two actors and scenes indoors and outdoors... with natural lighting + manipulated (studio?) lighting... basically run it through the paces on an actual day of shoot, and test out both the shoot experiences (dynamic range, rolling shutter, set up time, accessories needed etc etc) and the post production workflow with the footage. Ideally a mix of 4K 24, 4K 60, 4K 120 and 8K RAW footage, as the story may demand.

Anyone here knows if the camera would also have an active EF-S mount support?

Umm... Seeing as how they have a 4K MFT cam, 6K EF Super 35 cam, I'm pretty sure the next upgrade for Ursa is going to be a full frame.. Also to put a full frame sensor in a camera this small will have severe heating issue implications. Personally, I'd rather request them to stick with an Ursa sized body for a full frame RAW shooting camera, as of now.

This is the first new Gen Mac Pro. For offline work, it's overkill. I work off my 15" MacBook pro with a monitor attached. It's enough. Never a lag.

This beast, however, would make it insanely easy to edit RAW footage off RAID setups. You can practically finish smaller films right on this system. And with native integration, you get reliability. Lots of people complaining about the price here. I agree with them that this is very expensive. But more importantly, you can probably get your work done with a 1500 usd system. If it's too expensive, probably not for your workflow?