And that's compressed RAW too, one of the, if not THE best compressed RAW currently in the world.
I was ready to sell my FS7 for this bad boy but damn... that sensor size is the only thing that concerns me. 1.87x is way too much crop... Not sure why they couldn't have made it Super35
Ursa mini is suddenly looking good... just hope that 4.6k sensor fixes all the BMC bs
Yeah, it's not possible to hack a camera to go from 8 bit to 10 bit 4:2:2, especially when that's not even possible as as HDMI-out. Heck even the A7s II can't do it. Maybe I wouldn't be surprised if this was a hack for the A7s II, but no this is a joke.
The FS5 will not look anymore cinematic than this or it's big brother FS7. It does not have CineEI mode, which is what makes the Sony cameras look a lot more cinematic. I'd say that the FS5 will be a hell of a lot more video than this footage, though you probably won't get this massive moire / FPN issue
Yeah there is no way to actually denoise this kind of FPN. You'd have to do the steps Oscar mentioned which sounds like the biggest waste of time.
I've always been told that you never see BM cameras in big productions because they are way too unreliable for paid shoots, it's more of a art project / indie, short film camera for the budget conscious filmmakers rather than a pro level camera.
I saw that too... that's some serious moire that you can't do much about. I noticed this in a lot of BM footage