Co-Founder and Creative Director and Third Beacon, Chicago.
Anybody else stuck on number 24? There are some great cuts-- some that aren't super-special, but good, too. But 24, aside from not being distracting, just feels like a normal cut.
Either way, good work, thanks for sharing.
Looks alright, but it seems like tweaking a LUT could do the job. Not sold on the examples, either. Pushing your blues to teal a bit and boosting contrast isn't all that telling.
Technology is cool, though. Interesting to see where it goes. A bit more interested in things that RE:Vision are developing though.
At the end of the day, it won't fully replace a colorist-- of course.
It's nice, but I'd rather drop the extra $500 and get the recording features as well!
This is a Pandora's box type of question. It's like asking what the best color or flavor of ice cream is (green and cookie dough, by the way).
I hated hearing this when just starting out-- but you really do need to work for a nominal amount of time on each system and find out yourself. Personally, I'm a huge RED fanboy. great menus, great image.
I think this is great for the tent when printing forms. Monitoring, not so much. But this would be great for the many office jobs on the outskirts of the set!
Honestly, one of the numerous things I did not enjoy in Jurassic World's was the sound (and music). It felt very weak to me. From dinosaurs to explosions and everything in between. Especially the larger dinosaurs roaring. I'd have to see it again and really make some notes (perhaps when it's out on DVD). Just my two cents.