Co-Founder and Creative Director and Third Beacon, Chicago.
+2,000 Bonus points for using an Awesome Show picture to catch our attention.
Anybody else stuck on number 24? There are some great cuts-- some that aren't super-special, but good, too. But 24, aside from not being distracting, just feels like a normal cut.
Either way, good work, thanks for sharing.
Looks alright, but it seems like tweaking a LUT could do the job. Not sold on the examples, either. Pushing your blues to teal a bit and boosting contrast isn't all that telling.
Technology is cool, though. Interesting to see where it goes. A bit more interested in things that RE:Vision are developing though.
At the end of the day, it won't fully replace a colorist-- of course.
It's nice, but I'd rather drop the extra $500 and get the recording features as well!
This is a Pandora's box type of question. It's like asking what the best color or flavor of ice cream is (green and cookie dough, by the way).
I hated hearing this when just starting out-- but you really do need to work for a nominal amount of time on each system and find out yourself. Personally, I'm a huge RED fanboy. great menus, great image.
I think this is great for the tent when printing forms. Monitoring, not so much. But this would be great for the many office jobs on the outskirts of the set!