I am a union camera assistant. I currently work as a Loader on majors and as an Camera Operator/1st AC/ 2nd AC on smaller and/or nonunion productions
Yes! The efficiency and control that resolve gives you is where it is at for color. When I use the resolve editor its not as fast as premiere, so I don't .
dude, thats funny
that ribbon mic sounds amazing! I'm definitely interested in the wireless kit.
You can just relink media to do an offline workflow in premiere. Just make sure the file names are the same.
So for me to be able to edit quickly and scrub without delay I use prores, usually prores422 proxy. I have a 4 year old computer but the real problem is that dslr stuff(h264) and c100 and the like(mxf) are terrible edit codecs in that they are not intra frame. You really need intra frame codec to edit with adequate speed on older machines. I'm still going to use proxies as long as I can tell a difference when I scrub footage.