Isn't Jarred Land RED's CEO?
Except that ArriRAW is 12 bit
If they used a Speedbooster, it means thye were in APS-C mode, wich means that recording at 4K using Shogun was pointless, since the cameras upscale the output to 4K, since in APS-C mode, the resolution is more like 2.5K.
Hey Timur! I really appreciate the effort you put into sharing your knowledge! If I could share I little bit myself, I found out trough some tests myself, that the V2 OLPF (now known as Skin Tone Highlight Optimized) performs best in terms of noise with tungsten color lights rather the daylight, I would also add Blue filters when shooting MX in tungsten light, but I don't Dragon needs it anymore. Cheers
RED claims 16 stops with the new sensor, ARRI claims 14 stops with their current sensor design. History has show that ARRI is a very conservative company when it comes their claims, and RED on the other hand, very optimistic. All the tests that I have seen so far, show that they have about the same dynamic range, and then, of course, RED has the advantage when it comes to resolution on a Epic vs Alexa battle. But maybe ARRI will surpass it in terms of resolution with this camera.
But what does this the sensor size really translates to im terms of Image? The lenses available to shoot with this camera are relatively slow, and the MTF is low compared with modern S35 glass like Master Primes or Leicas. Im terms of sharpness and real measured resolution, I don`t think it's gonna be much, if any, better then 6K from Red with a Leica lens on it. And im terms of Depth of field, a 1.4 lens on an APS-H sensor will be similar to a 4.0 lens on a 65mm sensor.