Third picture from the top (not including the video image) that's clearly a Red Epic in the midst of all those cables. Curious which sequence(s) were shot on Red. Or if the Epic was the fulltime B Cam (you can see an orange sticker on the side that has a B on it).
Great interview. One question. For filmstock did you mean 7218 which is 16mm? Your article said they used 5218 which is 35mm stock with the 416 camera.