Well this is exciting! I am currently considering purchasing a Blackmagic Ursa Mini 4K or 4.6K, but this is truly inspiring, and considering the shortcomings of the 4K sensor of the Ursa Mini, I am now throwing both 16mm (Arri 16SRII) and 35mm (Aaton 35-III) into my consideration. However, there seems to be no labs processing either of the formats in my native Norway, so it seems I would have to send the reels for processing in either Sweden, Germany or the Netherlands, meaning I would have no idea how it looks until maybe a week after shooting. How did you, Kassim, overcome this? Did you process dailies or did you just cross your fingers, shoot the film and hope for the best? Are there any ways to get a digital intermediary through some sort of output on the camera?
If you post things like this – things that are exclusive to US or North America – could you please inform us about it in the article? Saves a lot of time.
Hey, guess what! It does 25 fps and 50 fps PAL too. Remember that you have international readers too, Nofilmschool. Stop being so americentric.