Currently directing a film called Grandma Werewolf
Follow the progress at https://www.facebook.com/GrandmaWerewolf/
Honestly had to check to make sure it wasn't april 1st. I can't see using any Red higher than the scarlet-w. Why would you need anything more than 4k 120fps? And idk full frame seems like over kill, S35 is where it's at.
Things for Camera Dept that can get you fired
1) Formating the wrong card - Seems like a simple thing not to do but if you don't label the cards, don't have an on set DIT, and the crew is trying to rush you...
2) Not having enough batteries ready - I've been on shoots where I've gotten yelled at for not having plenty of batteries left.
3) Buzzing a shot on a high stakes scene
Honestly after I finish a first draft, there ends up being a lot of scenes that are just leading up to favorite scenes or getting the characters from one thing to another. When I'm re-writing, I like to look at each of these scenes and just think of creative ways to make every scene the scene that people will enjoy.
"What's that?! Point the 10k in his eyes! Got it!" - a grip somewhere
Honestly I'm still leaning towards the C200. As a C100 Shooter, I could match the two much better. The biggest thing people are talking about is bit rate. I mean my C100 has only 24mbps, with most light grades that enough. All of my work is for the web (not broadcast) so 35mbps/150mbps is completely fine (It's better than the FS5). Also the C series cameras are pretty clean at 5000 iso (no dual native needed).
Yeah I pulled up the pictures with a histogram and saw 0 clipping....