I loved the episode and I didn't think it was to dark for my or any TV set, but it was too heavily compressed there were parts where all I could see was compression artifacts! This is was real issue that has to be adressed by the content distributor, in my case it was sky germany. But for example I've never had this issue with Netflix or amazon prime!
I hear you!! Getting tired of this!
It's actually sad because two of my favorite websited (nofilmschool and indiewire) are succumbing more and more to clickbaits, shitty posts or puff pieces... Sad really
that's why it costs an incredibly stupid amount. 650$
It's still nothing more than a hugely overpriced and now repackaged Akitio thunderbolt box!!! Even copied the razer core on the design...
It costs 649$!!
Seriously NFS what happening to your posts? You are making this huge promotional post, as if you have been using it and saying that it looks great, but that is just like reviewing a camera by it's specs and not even looking at the image.
You used to have interesting post but now I barely come here, it's like the gossip site of the film industry!
the worst of all is that they made everything more expensive!!
Fuck you Apple, not buying into your shit anymore
I think this article makes ACES sound like magic and a very simple to use "tech" that will solve all of out color spaces probl3ems but using ACES requires some thought and planning it's not just plug and play like this article suggests.
For example: ACES in resolve does no play well at all with Arri footage....