...if you don't care, why would you bother reading a blog on film making?

Thanks but I am only confused by the article as it clearly states at two different parts that the camera comes with an A-mount and with an A-mount kit lens, otherwise I am quite familiar with the E-mount, I own two E-mount bodies...

Does it really come with an A-mount? Am I not getting something? Why not EF mount - I didn't even know they made those GM lenses on the picture for A-mount...

Of course they didn't 'have to' but it made it a hell of a lot easier...

I think the answer is that that RED at some point had been out there trying to convince still photographers to just shoot with their high res video sensors and then pick still frames from that, claiming their resolution was high enough, I think the original idea of the Scarlet was to bring all these still photographers on board. Anyone who has the slightest understanding of shutter speeds will know you can only have one thing, not the other, as either your video looks like the opening of private Ryan or your stills will be blurred, but this would explain why we find RED cameras compared to bodies built for stills.

How does this apply to music used in videos? Can we apply the same logic as with the book quote and footage? I am just asking because I don't believe we can but according to your argument it should be possible...