At least an organic image. Thats all I want. I cant stand panasonic color science.
I'd switch if it were raw output 12bit color. I cant go back to 10bit.
Also, no mention in the site about Fuji's GFX100 medium format with 4k video?
I'd discount John Brawley's video. The color pallet surrounding the people subjects in his video are really dull and brown + orange 5500k color temp.
not excited. rokinon should of never made those garbage xeen lenses. they already had cine primes. now their anamorphic had to be more expensive.
who else can start the revolution and provide $2k anamorphic glass?
blackmagic. get your 4:3 aspect ratio bits in gear already.
not a fan of panasonic cameras for films but this looks good.