I don't think that will ever happen with Apple. Apple aims for mass markets not niche markets. As it is RED and Apple barely make money off of the Raven package they have. That was to cater the Final Cut Pro / Apple loyalists. Honestly the c200 is a much better camera than the Raven regarding the reliability, efficiency, performance, and financial wise. Having seen and used both. Also great videos Rubidium.
Blue is the Warmest Color shot on C300s, some of Her, and Rush. A bunch of other movies and shows. Some of Jason Bourne, Need for Speed, The Big Short, The Man from Uncle, Avengers 2, Get on Up, Mr. Turner, The Wolf of Wall Street, was on C500. Funny enough, the c200 and c700s are better performers. Crazy to think the c200 performs better than the c500 and it's only 7,500. I think RED is slowly fading out of the picture with Panasonic, Sony, and now Alexa LF coming into the picture. Especially with the Netflix space. You will be surprised on how not serious hollywood cameramen and crews take RED. Especially with their customer support and frat culture that still exists.
I love Panavision lenses and gear, but why the push for the RED platform? Almost every AC and DP I have worked with still enjoy working with the Alexa system more from the Alexa65 to the Mini.