Skip to main content
No Film School
Login
No Film School
  • Popular
    • 1. If Gareth Edwards and Greig Fraser Can Shoot a Sci-Fi Feature on a Sony FX3, So Can You +11,728 views
    • 2. ‘Oppenheimer’ IMAX Film Prints Are 11 Miles Long and Weigh 600 Pounds +986 views
    • 3. Is the Aputure Electro Storm CS15 the LED Powerhouse We’ve Always Wanted? +976 views
    • 4. 7 Screenwriting Exercises That Actually Make You a Better Storyteller +10,454 views
    • 5. All the Ways a Filmmaker Can Break Into Hollywood +788 views
  • Topics
    • Newest in Screenwriting All the Ways a Filmmaker Can Break Into Hollywood
    • Newest in Directing How to Craft a Freaky Jump Scare With ‘Boogeyman’ Director Rob Savage
    • Newest in Distribution & Marketing What Movies Do Theaters Say Save the Box Office?
    • Newest in Movies & TV Behind the Scenes of 'The Great': Producer Marian Macgowan Reveals Secrets of the Hit Hulu Series
    • Newest in Marketplace & Deals You Need To Keep These 3 Sony Mirrorless Cameras on Your Radar

Joseph Michael

Downloads Comment History
NFS Score 81 (Freshman)
  • Recent Activity
  • Recent Posts
Article Comment – This New Music Licensing Platform Offers $199 Lifetime Subscriptions

I'm a production music composer and this is our side of the story when it comes to these type of subscription libraries that are having a hand in destroying the market and careers. I wanted to experiment with the subscription model just to find out for myself exactly what I would encounter. I read the pros and cons about it all but I wanted to find out for myself. This post is geared for all of you composers who are curious about and considering the subscription thing, and for all media producers who may not be aware. It’s based upon one site with about the going rate of a monthly subscription fee. it’s as bad and even worse than I read or thought it would be. Now I know !!! Here’s the numbers. I had 69 files downloaded, a combination of full tracks, loops and stingers. The total value of those files would be, off the top of my head, about between 1,500.00 – 1,700 dollars. my 50% cut would be around 800 dollars under normal single track licensing. My subscription payout was a grand total of 14 dollars and some cents !!! Yes, that's right, 14 bucks !!! So there you have it, my personal experience, real numbers. Needless to say I opted out immediately and will never do anything like that again. I must point out that it was under their early bird subscription price but even under their pending regular subscription pricing I still would have made under 20 dollars. So for all of you who are considering the subscription model, especially you young composers, this is what you’re looking at. What a shame that this is actually happening, being supported and becoming more common.

3 years ago
How to Make Money as a Cinematographer

How to Make Money as a Cinematographer

Take your career — and your day rate — to the next level. How to Make Money as a Cinematographer is a new in-depth online course from No Film School, available now. Watch the Trailer Here!

No Film School

  • About
  • Subscribe
  • Contact
  • Advertise
  • Community Guidelines
  • Terms
  • Privacy
  • DMCA Takedown Notice

Sections

  • Gear Guides
  • Podcasts
  • Popular
  • Topics
  • Pitch to us
  • Boards

Follow NFS

  • circle Facebook
  • circle Twitter
  • circle YouTube
  • circle RSS
© 2023 NONETWORK, LLC. All Rights Reserved.
No Film School