Morale of the story don't go into vfx kids...no union, extremely overworked and underpaid.
If the Pro was RF I could have taken advantage of Canon's RF speedbooster I am using on my Komodo. Most the speedboosters I've tested are not that good I've seen tons of video on youtube of people with the 4k and the edges and corners have either a warp look or IR pollution. The Canon version is extremely well made and would have been a great option if the Pro was natively RF.
I'd put the Komodo at 1. Regular filmmakers on a low budget would never be able to afford a RED unless rented. Now you can own at least the body for $6000, the only problem is if you can get your hands on one. Wait list is huge and the only camera on this list you have to wait for, the other one's you can pick up from any distributor no wait needed.
I was just talking about this with a friend. Marvel movies especially, almost everyone represented but Latinos which account for 23% of box office openings for their movies.
He’s not a juggernaut in the DP world but I really enjoyed Eric Gautier’s work in The Motorcycle Diaries.
Placing bets Apple buys lumafusion and it becomes the foundation for the new FCP.