This gives reassurance as well. Think it will be great to have the A7s for wide and low light. And keep the kit zoom lens on the Fs7. Looks like will be making the move over from Canon.
Got a question though, if you're doing ENG work and have a really fast turn around. Is there a good color profile? So much of the footage I look at is Slog and graded.
Also, will I need to transcode the footage to cut in FCP? Or is that only for the 4K footage. Confused after reading about the add-on that converts the footage to apple Prores 422. Is that a necessary buy if the turn around doesn't allow time for transcode?