Well, the shot "over the mountain" is not emotional at all. I would take take the shot from the opposite. Mountain climber with sunglasses who looked straight in the camera. From cu to Extr cu. His face would tell the story, his sunglasses would reflect the helicopter while the sound of the helicopter fade in.
Well, okay. It's a fairly standard way of shooting. Very stationary. The shots did'nt add additional information or drama. In fact, the scene at 1:50 and beyond was pretty disturbing. At first glance it made the viewer confused about composition. Who is where? The feeling you have when you cross the axist. (sorry for my foreign English)