Yeah right, pay to get our script produced!
First the GH5s and the Blackmagic don't have the same sensor. Do your homework. That was a rumor. The two sensors have different sizes.
Second, the test is totally futile. Any of this camera is more than enough to do the job if:
1-You have a very interesting story
2-First rate actors
3-High production value non related to camera.
What's going to make a difference is not whether you use the Blackmagic or the Fuji, but whether or not your story, concept is interesting and well executed, that's where the challenge is. Not in the camera.
I'll watch anything filmed and produced by the Coen Brothers if they film it in VHS.
But, Thomas, vintange lens such as Nikkors and Canon FD were designed for higher definition than HD, weren't they? If I"m not mistaken 35 mm still def is higher than 1080 ? Actually isn't 35 mm film around 4k in def?
Let's make something clear here; Hollywood gets things wrong in everything, not just about guns,
Where are you?
I'm surprised about all the "filmmakers" who care about auto focus. I personally don't.
The question I have is, when I'm going to compare the footage of that new Sony to an "old" $ 800 (ebay price as I write this) BMCC 2.5K MFT with speedbooster and a Zeiss lens, how is it going to fare? Does this Sony make that old cam, the BMCC 2.5K totally obsolete? That's what should be relevant for filmmakers.