Now this film looks very intriguing. Seems a bit standard in some areas, but the premise and Photography look so good. Really looking forward to checking this film out.
On what planet?
I wonder if this is the standard practice for actual crappy directors...or izzit because of the obvious elephant in the room? :-/
Made for 1080p?
Um...that's literally NOT true.
All lenses were made for 4-5k resolution, otherwise known as 35mm film maxed standards. Super 16 lenses COULD be said to have been made for 1080p, as that stock/sensor size maxes out at 2k. However, to say the CP2's were made for "HD" resolution is very off, especially as they're really rehoused Contax Zeiss glass and or standard Zeiss 35mm-framed glass. Even the super35 standard glass is made for 4k (the standard max for even that frame, more or less), really.
Misleading and misinformed.
Considering how VASTLY superior, robust capable and most of all, professional Premiere is comparatively to FCPX....I think this lil' quirk is livable. Adobe will be a'ight.
Nice breakdown and must say, great model. Always awesome to see models of Color [finally] getting their due for our studies. Considering their skin absorbs and reflects light more so than any other, this should happen more often. ESPECIALLY with gel lighting.