Considering how VASTLY superior, robust capable and most of all, professional Premiere is comparatively to FCPX....I think this lil' quirk is livable. Adobe will be a'ight.
Nice breakdown and must say, great model. Always awesome to see models of Color [finally] getting their due for our studies. Considering their skin absorbs and reflects light more so than any other, this should happen more often. ESPECIALLY with gel lighting.
Three Billboards seems to be about forgiving and normalizing White racist values and falsely equating "anger" with "racism". They can miss me with this typically white-normalization of European evils as a norm..in favor of "love". Complete and utter BS, especially considering the much better depth of films this year.
As usual, this is simply Caucasian BS, rife with obnoxious generic fare locking out better and more dynamically thoughtful talent from those of Color. Just swapped for women rather than boys.
That really was a great effect for the video for sure.
I can easily see why some folks from my background would bypass ALL of these films at first glance. Every single film is centered around or anchored by a White protagonist. While many here (mostly white) won't see an issue with this [duh], the rest of us whom are the MAJORITY are tired of this regurgitated mess. It's intellectually insulting and flat out dull.
I mean really, the ONLY story here shown with a multitude of faces of Color are those of destitute refugees. Why would any one of us really care to watch these beyond mandatory R&D of some sort or happen-stance?
I'm sorry, but these most likely ever won't be noticed very well. And, from our perspective, deservingly so *shrugs*
Love the art direction, but good lord this is White as hell lol Union soldier too? ROFL
So....in Southern themed films we either involve Africans as slaves for background fodder or simply erase 'em out of the narrative altogether, eh? :-D
GORGEOUS photography, but damn this is a bland-ass storyline and premise.