Cut the ridiculous and always bad music, dance and comedy numbers instead.
They probably wanted more resolution than the Mini offers to match the Arri 65 footage.
They are using the Canon on a motion control system to shoot a miniature. Look closely at what it is shooting; you can even see the edge of the table the model landscape is sitting on.
Not that many years ago that would have been a Fries modified Mitchell film camera weighing about 60 lbs shooting film.
A quick search of IMDB...
Matthew Jensen, ASC
Cinematographer (29 credits)
Camera and Electrical Department (9 credits)
Second Unit Director or Assistant Director (1 credit)
No entries found
You wouldn't be a Australian VFX / Director / Producer? Does your crew know that you think they are a bunch of overpaid whiners?
I was in IATSE at one point and of course that came with a lot of benefits.
I've also been in this business since the early days, so I've experienced all of this first hand on an international basis.
But if we are talking about the decline of the VFX business in the US, then the unfortunate truth is that being in a union wouldn't stop the work from being outsourced.
Local unions would make a difference as far as working conditions go. Maybe then fx workers in the UK would be paid overtime, but they would have to first revoke the exemption the industry was granted from labor laws.
But the moment you formed a union and increased wages and benefits or stopped the erosion of them the studios would move on to the next country where they are given a better deal. That is why they are now pushing for India.