Great video, but its more like a taste of a single hour.

I've seen less noise in tungsten light as well. Even though the sensor is cmos it has trouble with the red channel not the blue channel so tungsten will help boost that channel, but colors are more saturated in daylight, if muted colors are ok and less noise is desired, tungsten might be right on Dragon.

Timur very impressive stuff and thanks for sharing. How did you get install the Kodak LUT into RCX? I've been using it in Davinci, but DEB has become part of my workflow and I would like to keep more in R\CX.

Raguel here is your answer.
http://www.hdvideopro.com/technique/miscellaneous-technique/formats-expl...

Zazu, Red doesn't even have 2:1 actually I've never heard of a camera with 2:1 definitely not Black Magic, Sony, or Canon. The sweet spot is 7:1 on Red.

Tom, RAW just means sensor data, not pure untouched sensor data. It just means that the image processing has not taken place yet and what is being recorded is not video, but pre-debayered sensor information. It can have horrible compression and still have no baked iso or white balance.

Story and 4k is not an either or situation. If you believe so you are handicapping yourself. Don't let an advocacy of story actually hinder you from the tools to tell a better one. Story matters more than camera, but whats most important certainly doesn't neglect the other components. Otherwise directors would go make films by themselves! Filmmaking is not as simple as "just focus on story" sounds. Theoretically or on a forum maybe it is, but in practice it gets far more complex. Especially if you are an "indie" or no budget guy you will not have the luxury of only directing. I think thats where some are shooting themselves in the foot.