Who is going to Costa Rica, and I certainly don't give a.damn about CGI Systems of the 80's. The bottom line is video is not still images. Adobe needs to stay on the gas and give us tracked power windows, PERIOD. The fact is the Resolve is light years ahead of Adobe because without features that are the reality of 2020, we are almost there, you can't say I get distracted by going from my editor to color. I get distracted by articles that continue to omit the obvious tools which are missing from Premier. Combine the whole CC and they are there so....p.s. I don't give a shit about editing clips on my tablet.
What is their plan to accommodate any high speed storage connection? This was glaring to me, a single GbE would have solved it.
The color science within the GoPro cinema is exceptional for such a small camera. I doubt that anyone will replicate what has been done here within this space. David and Jake, formally of Cineform have a codec that can be used within the GoPro that simply sets it way above all other action cameras if you choose to use it.
The shot angle of the jump between the trees with no landing is $$$$
Attempting to copy layers with expressions to another xcomp = gone. Hiding layers.. Linear color...oops.
Anyone have a real value comparison between these few Windows Prores codecs?
If you're on Windows and work with Mac folk all you need is Mac Drive and one of these codecs and you're set. Honestly, you can rock the GoPro Studio Cineform codec as a better intermediate if you really know what's up. It's free, but good luck convincing a Mac user to give up on ProRes (great marketing my Apple).