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    • 1. What Canon’s Sensor With 24.6 Stops of Dynamic Range Really Means for Filmmakers +3,203 views
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Ron Foley

NFS Score 81 (Freshman)
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Article Comment – Is This Leaked Sony FX3 Photo Their Next Cinema Camera?

Just interested to know what you do with your 4k output, does it get broadcast or streamed in 4K or are you using it in a 4K projected cinema release?

2 years ago
Article Comment – Grids 101: How to Put This Nifty Light Modifier to Work

Egg crate grids also harden up the light you've softened, the reason it spills is its diffusion which makes it soft, which you are reducing with the grid, so you are going around in circles. The most effective way to maintain softness an reduce spill are cutters.

2 years ago
Article Comment – Panasonic EVA-1 3.0 Firmware Update Adds 4K60p and Cuts Price

Panasonic made it clear when they released EVA that it was modular, that they would provide CAD blueprints to 3rd party accessories manufacturers, I seriously doubt that there will be a dedicated Panasonic EVF for the EVA-1. You could of course stump up for the EVF that they make for the Varicam 35 & 35LT, it is excellent and only $5k.

4 years ago
Article Comment – Panasonic EVA-1 3.0 Firmware Update Adds 4K60p and Cuts Price

Hmmm, now refresh my memory about the highest ISO on the Ursa?

4 years ago
Article Comment – Watch: The Virtues of 16mm Filmmaking

I learnt the discipline of film in the 80's as an assistant on high end 16mm documentaries and television drama. I recognise the timelessness of film, however, the ability to shoot full frame and super 35 images, with greater iso and lattitude than any 16mm stock, grade them with the same or better result on digital far outweighs the romantic memory of the good old days. Even the use of 2/3 imagers on documentary allows us to capture moments, events and story that was inhibited by beautiful but constrained film. The time has come to move on.

6 years ago
How to Make Money as a Cinematographer

How to Make Money as a Cinematographer

Take your career — and your day rate — to the next level. How to Make Money as a Cinematographer is a new in-depth online course from No Film School, available now. Watch the Trailer Here!

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