Totally, I remember that the mine sequence in Temple of Doom was shot on an adapted Nikon at 9 frames a second so they could mount the camera on the rails for POVs within the scaled down set. The resolution on the Canon is going to be well outside the parameters for what they need in stills mode.

So they're asking us to pay for it before we see it work? Yep, it's Red folks.

"What's the One Thing Holding You Back in Your Color Grading?"

Not having a computer?

Even though well made (I especially like the faded archive footage), the whole thing is oddly amateurish. I guess being good at VFX doesn't help when writing a good script.

You'd be better of with the new Panasonic Varicam. Even without knowing all the specs I'm pretty sure it'll outdo the C200.

Somebody forgot to check the flash rate of the practical LED torches.