"It's easier for us to reshoot . . . than it is for them [the editors] to find the material." There's a wake up call.
It costs the same to see the worst and the best films of the year. They don't take your money on the way out.
How do you convert 1,500 lux @ 1 meter to an exposure value?
But it could used as a storyboard to show the video pro what we are looking for. You can then offer suggestions, bring in proper lighting, talent, audio, and animations. I think this will shorten the total time to finished video with much less stress.