Los Angeles. For my wife and me to see Dunkirk in IMAX cost nearly $60.

What a lousy video. I couldn't tell the edits apart. They were so quick, and I couldn't tell half the time if the graphic was on the cut or telling me that the next cut was the one I was looking for. Some transitions are obvious (camera going into vent, coming out somewhere else) but for hard cuts between locations it was hard to tell if I was watching a jump within the show or just a jump to the next part of the montage.

For being a video about great edits, the editing was awful and counterproductive.

I assume that this will only be fully useful with m4/3 lenses with built in electronics. There's no way the Veydras would work unless you set your focus and f stop on the ground before lift off. But without the ability to pull focus you are pretty limited in the kinds of shots you can do with those lenses.

Well there is the actual functionality to consider. If I'm putting this on an FS7 that can already record 10 bit 4k internally, what do I need the Atomos for? The use of pages and tools on this new generation of SmallHD monitors is a major leap forward in terms of user interface, in my opinion. I always found the interface for all previous SmallHD products to be terrible. I've also used TV Logic. Nothing I have seen is as easy to use in the field as the 502, so I am one of those people looking forward to this. And the price is shockingly lower than I would expect considering the prices for the DP7s.

I look at that list and still see "not too much else." Ex-Machina? Sure. After Earth or White House Down? Meh.......

The author's point still stands that use of Alexa and Red blow away the number of projects shot on F65.

(double post)