Tiffen Shows off Lens-Mounted Filter Holder & 2 New Diffusion Filters

NFS Staff | May 1, 2016

Flanders Scientific Introduces Live Grading Tool, BoxIO, Along with a New Monitor

NFS Staff | May 1, 2016

F&V Shows off Their Z400s Soft Bi-Color LED Panel

NFS Staff | May 1, 2016

'Oldboy', the Greek Tragedy: Adaptation & the Tragic Form

Justin Morrow | April 30, 2016

Digital Bolex Adds 2TB D16 Model & Hints at New Mount

NFS Staff | April 30, 2016

NAB 2016
Design a Look on Set & Apply It in Post with the Streamlined Codex Production Suite

V Renée | April 30, 2016

NAB 2016
MYT Works Unveils New Camera Support Systems, Including a Super Compact Skater Dolly

V Renée | April 30, 2016

NAB 2016
Green Means Go: Preston's Range Finder 2 Shows You Precisely when You're in Focus

NFS Staff | April 30, 2016

Ikan's CV600 Spectrometer Will Tell You Almost Everything About Your Light Source

Andy Zou | April 30, 2016

Red, White & Blue: Three Filmmaking Lessons from Krzysztof Kieslowski

Justin Morrow | April 29, 2016

This Video Essay Breaks Down the Eyes of 'The Silence of the Lambs'

Justin Morrow | April 28, 2016

Tribeca 2016
'Don't Pander to Genre': How 'Lavender' Became a Character-Driven Horror Movie

Emily Buder | April 28, 2016

Tribeca 2016
Meet the People Who Capture Entire Lives in 800 Words: Vanessa Gould on 'Obit'

Andrew Lapin | April 28, 2016

INDIE FILM WEEKLY
Is Tribeca the New Premiere Destination for American Movies? [PODCAST]

Emily Buder | April 28, 2016

Shots Always Blurry? You Might Have to Calibrate Your Lens (Here's How)

V Renée | April 28, 2016

Tribeca 2016
Why You Need To Know about Alma Har'el and Her Cosmic Doc 'Lovetrue'

Liz Nord | April 27, 2016

And the 2016 Webby Award Winners Are...

V Renée | April 27, 2016

NAB 2016
Dissolve's Liftoff Team Will Turn Your Footage into Stock (Including Post-Production)

NFS Staff | April 27, 2016

NAB 2016
Motorized Precision's KIRA Gives You Easy Motion Control from an Xbox Controller

NFS Staff | April 27, 2016

NAB 2016
These New Interchangeable Mounts and Lenses from SLR Magic Are Definitely Not an Illusion

NFS Staff | April 27, 2016

NAB 2016
Fraunhofer Alliance's New Software Should Take Care of Your Nasty DCP Issues

NFS Staff | April 27, 2016

Tribeca 2016
Why Shooting Reality-Fiction Blur 'Actor Martinez' was 'Like Being on LSD'

Emily Buder | April 26, 2016

Tribeca 2016
5 Groundbreaking Ways to Tell Stories in the Future of Filmmaking

Liz Nord | April 26, 2016

How to Pull Off the 'Invisible Man' Effect (The 'Predator' One, Not the Kevin Bacon One)

V Renée | April 26, 2016

NAB 2016
Cooke Shows Off World's Only 300mm True Front Anamorphic Lens

NFS Staff | April 25, 2016

Kodak and Kickstarter Want to Help You Shoot on Film

Emily Buder | April 25, 2016

NAB 2016
Videoblocks Launches VR Stock Footage and Grows Marketplace for Filmmakers

NFS Staff | April 25, 2016

Tribeca 2016
'Painting With Faces': Trade Secrets from Legendary Casting Directors

Emily Buder | April 25, 2016

Blocked? Get Unstuck With These Free Resources for Writers

Justin Morrow | April 25, 2016

Tribeca 2016
How the Filmmakers Behind Horror Anthology 'Holidays' Use Genre to Thwart Expectations [PODCAST]

Jon Fusco | April 25, 2016

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