August 11, 2016 at 3:05PM, Edited August 11, 4:00PM
How can we reduce the pain point of using music libraries (stock music tracks)
I'd like to hear from editors, filmmakers, producers, directors and other creatives about their experience of using music libraries.
What are the things that are most challenging? And what would the ideal solution look like for you? For example, is the meta data unreliable or are certain genres too much represented (or too little). What's the ideal number of tracks? Can there be too many? What search criteria is best / worst... for example: mood, genre, instrumental palette and so on.