September 6, 2014 at 4:15PM
2 Boom (shotgun) Mics vs Boom Opreator
Is it possible to get good dialogue coverage on set (big wide open abandoned mechanics garage) by placing two boom mics on c stands and boom pole holders and point them towards the actors who are about 10 ft apart from each other?
I am recording to a TASCAM DR 680 which can easily record 2 separate mono tracks.
I know this is not an ideal situation but can this work without a boom operator?