» Posts Tagged ‘canon5dmarkiii’
Luke Neumann on Canon 5D Mark III RAW Video and a Comparison with the RED EPIC
We’ve seen a few tests putting the Canon 5D Mark III with the RAW video hack up against lower-end cameras, and only one, the Blackmagic Cinema Camera, is capable of shooting RAW as well. Now, we’ve got a comparison with another RAW camera, the RED EPIC, from Luke Neumann (who has done a few Magic Lantern tests before), as well as an interview with Big League Film School talking with Luke about how this is impacting the DSLR community. More »
Hacked Shootout: Panasonic GH2 vs. 5D Mark III RAW & Magic Lantern Gets Playback/Audio Working
I don’t recall in recent memory any sort of software with this many updates in such a short period of time, but the folks over at Magic Lantern have been working around the clock, and we’re getting almost consistent updates thanks to the incredible people working on the RAW video hack. Basic capabilities from regular H.264 video are being ported over, and it looks like both playback and audio are working in at least a basic form with RAW video mode — so we should see those at some point. We’ve also got a great little comparison from Luke Neumann showing the RAW Canon 5D Mark III against the hacked Panasonic GH2. More »
How to Get Started with Magic Lantern RAW Video on Your Canon Camera
If you’ve been reading these Magic Lantern RAW video posts and watching the clips, and you’d like to get in on the action, we’ve got just the tutorial for you. Luke Neumann, who has been testing the Canon 5D Mark III with Magic Lantern and recently posted a clip of his own, has put together a great video that runs through some of what you’ll need to do to get up and running. We’ve also got another great test video to whet your whistle, so head on down and check everything out below. More »
Will the Magic Lantern Canon DSLR RAW Video Hack Kill Your Camera's Sensor? Short Answer: No
Long Answer: Nope. There seems to be a lot of misunderstanding about what is actually happening with the new Magic Lantern hack in development that enables RAW Video output on Canon DSLRs. While it seems like some sort of magic on the surface (and it basically is), the reason this is possible is because of the RAW data stream that the camera is already outputting during normal operation. Read on for a clear explanation as well as some words from the Magic Lantern team on how this affects your camera. More »
BMCC vs. Canon 5D Mark III: Did Blackmagic Just Get a Full-Frame RAW Video Competitor?
Even though Blackmagic announced two more cameras at NAB, the original 2.5K BMCC is still shipping in limited quantities. While the company has been working hard to address the situation, an unlikely competitor has come along thanks to Magic Lantern: Canon’s year-old 5D Mark III. It is now the only DSLR to shoot RAW stills and video, and even though the hack is still in the early stages, it’s becoming clear that it will be a force to be reckoned with at this budget level. The guys over at cinema5D have been working with the hack, and they’ve now posted the first test comparing RAW video from the Blackmagic Cinema Camera and the Canon 5D Mark III. The results are interesting, to say the least. More »
These RAW Video Clips Will Make You Want a Canon 5D Mark III (Unless You Already Own One)
The Canon 5D Mark III has become a true cinema camera. That’s a bold statement, but some of the footage that is currently being shot with the new 14-bit RAW Magic Lantern hack is absolutely night and day when compared to 8-bit H.264 footage recorded in-camera, and there is no doubt it rivals much more expensive cameras just in sheer image quality. We’ve got some impressive samples from cinema5D, Luke Neumann, as well as a few others below. Click through for the head-exploding videos. More »
Get Your Canon T2i/T3i, GH3, Nikon D800, & More Looking Like Film with FilmConvert's Newest Update
During the NAB 2013 show, FilmConvert, the film emulation color grading program/plugin that actually maps color profiles to specific film stocks, was updated with support for the Blackmagic Cinema Camera, GoPro HERO3, Canon 7D, and 60D, as well as newer profiles for the Canon 5D Mark II and Mark III. Now, in the newest update, they’ve added the Panasonic GH3, Nikon D800 and D7000, in addition to the Canon T2i/T3i. Read on for more about the update, including a new ability to apply film color and contrast separately. More »
1080P RAW Video Now Possible on Canon 5D Mark III & Real Anamorphic Shooting with the New Hack
Not only do we have news that RAW video at 24fps is possible on the Canon 5D Mark III, but we now know it’s possible to get a full 1920 x 1080 image with 1000x speed cards. The first samples were possible by cropping the image to 1920 x 820, but g3gg0 from Magic Lantern has unlocked a way to get the entire image — the full 1920 x 1080. This makes the Mark III the first full-frame (36mm x 24mm) camera to shoot RAW video at 1080p. Also, now that we’re capable of getting really high-quality custom resolutions, a whole new world has potentially opened up for anamorphic shooting with the camera. More »
Canon 5D Mark III is Now Shooting RAW Video at 24FPS
The team at Magic Lantern has been able to do some amazing things with Canon’s cameras. Late last month, we learned it was possible to get a burst of RAW still images from the camera without the shutter moving at reduced resolutions — which yielded more resolution and dynamic range. Some people working with ML were confident we could get RAW video at usable frame rates (since they were only getting 5-15fps at best) with these images at some point as long as the cards were fast enough, and now that has become a reality: the Canon 5D Mark III is a RAW-shooting video camera. Click through for the first video samples. More »
Canon Finally Releases Firmware V1.2.1, Enabling Clean HDMI on the 5D Mark III
With everything going on with the 5D cameras over the last few days, you’d think the clean HDMI firmware had already been released — but today Canon finally took the wraps off the firmware update they announced all the way back in October. While the headline feature is definitely the clean/uncompressed HDMI, they have introduced a number of other fixes as well. Click through for more from Canon about the update. More »
Canon 5D Mark III Clean HDMI Firmware Leaks, Plus More from Magic Lantern Regarding RAW Video
It seems like it’s been all about the Canon DSLRs over the last day or so, but we assure you there are plenty of other things happening. Even though it’s not set to be released for another few days, it looks like an official firmware update for clean HDMI on the Canon 5D Mark III has leaked to the internet, version 1.21. We wanted to make sure this was the real deal and wouldn’t brick any cameras, but it definitely looks like this is an official update — but whether this will be the final release is unclear. We also have some more information about the RAW video hack that the guys are working on over at Magic Lantern. More »
First RAW Video Sample DNGs from the Canon 5D Mark III with New Magic Lantern Firmware
We just told you about what Magic Lantern is doing with the RAW liveview image, and now we’ve got some of the first samples for you to play around with. Luke Neumann has been testing the new firmware with A1ex over at Magic Lantern, and he has produced a spectacular sample that really gives you an idea of what this firmware is capable of. First, here is a video from Luke walking you through the process he went through to get these samples: More »
Magic Lantern Unlocks RAW Video on the Canon 5D Mark II and Mark III
Every day it seems things get more and more interesting with what these Canon cameras are actually capable of. It would be interesting to know if Canon is actually aware of what their cameras can do, or if some of these are happy accidents for the team over at Magic Lantern. They have made significant discoveries trying to enable full uncompressed HDMI, and not only do we have RAW still images from the liveview video stream, but they’ve actually managed to get RAW video working on Mark III. More »
Canon announced all the way back in October 2012 that they had worked out what we had previously thought impossible: uncompressed HDMI (which really just involves making the output fill the screen and removing overlays). While it’s not necessarily going to be a magic bullet for better image quality, there are plenty of uses for clean HDMI, including better workflow options. Unfortunately for those who were looking at the beginning of the month for the firmware update, Canon has now pushed it all the way until the end of this month. Click through for more. More »
If you’ve been itching to shoot a project on the Canon 1D C in 4K but you need 25fps, it looks like you’ll have to wait just a bit longer. Canon officially announced that the firmware would be released in April, but it wasn’t clear when exactly it would be coming. Now there is word that we’ll get it after NAB, and an image has been released that shows it being tested on the camera with an additional frame rate we’ve never seen before. We have also been looking forward to the clean HDMI update on the Canon 5D Mark III, which at the moment is still scheduled for sometime this month. Click through for more on both cameras. More »
Last month we mentioned a growing issue among a number of video shooters that were experiencing camera crashes with the Canon 5D Mark III. While it seems that the issue may be related to certain brands of CF cards corrupting footage, other users have experienced issues regardless of the cards used. A petition to Canon was started online to hopefully get a solution to the problem, and it seems that at least two of those cameras affected with this issue have had their cameras fixed by Canon for free. Here is a message from Max, who started the petition, sent earlier today: More »
Have you ever had your Canon 5D Mark III freeze after capturing a video up to the time limit? Apparently the Mark III has issues with certain CF cards, regardless of speed, and cameras have been locking up and losing footage. This seems to occur most often once the camera reaches the 30 minute mark. Since the Mark III records to a FAT32 file system on CF cards, the max file size for each clip can only be 4GB, which corresponds to about 12 minutes. Once the camera hits 30 minutes, certain cards have caused the camera to lock-up, losing the previous 12 minute clip in the process. Now we have a petition from users who have been affected hoping for a fix from Canon. More »
Why is the RED SCARLET Four Times the Cost of a Canon 5D Mark III?
We already know what the Canon 5D Mark III can do, and there’s a good bet you’ve seen plenty of RED SCARLET videos online, but why such a cost difference between the two? Obviously one only shoots 1080p in H.264 but can be pushed quite a bit in lower light, and one can go all the way up to 4K at 24fps in RAW, but its ISO can’t be pushed quite as far. What if the stuff you’re shooting is just going to the web, do you really need all that extra resolution and detail? Will it make a difference in the end? Check out a test below from Robureau comparing the two cameras visually. More »
Canon CN-E Cinema Primes vs. Still Lenses on the C300, 5D Mark III, RED SCARLET, and AF100
Up until recently, there wasn’t much competition for PL style lenses at the lower budget level. If you were lucky, some used Super Speeds or Standard Speeds would be a good catch. Now we’ve got brand new cinema lenses from Canon right in this range, the CN-E lenses, and even though they aren’t PL mount, they cross off the other checkboxes in regards to giving you a professional solution. The team over at Magnanimous Media got a hold of the CN-E 24mm T/1.5, 50mm T/1.3, and 85mm T/1.3 primes from Canon, and compared them in a brief, unscientific test against the equivalent still lenses from Canon, the 24mm F/1.4, 50mm F/1.2, and 85mm F/1.2. Click through to watch their results. More »
Canon C100 vs. Canon 5D Mark III vs. Sony FS100 with Magnanimous Media
If you’re looking for a camera in the $3,000-$8,000 range right now, there aren’t too many options — at least as far as large sensor cameras go. We’ve always had lots of options in this range for 1/3″ cameras, but it has taken a bit for manufacturers to start moving the prices down and really get competitive larger sensor cameras in this range. Magnanimous Media, a rental house in Chicago, Illinois, has taken the Canon C100, Canon 5D Mark III, and the FS100 for a spin and offers their thoughts about some of the advantages and disadvantages of the new C100 compared to the others. More »










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