» Posts Tagged ‘cinemadng’

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Atomos talks to No Film School at NAB 2014Hot on the heels of the February announcement of the award-winning Ninja Blade, Atomos have announced two new products that cover the budgetary gamut of external recording needs. Click through to watch Joe Marine’s interview with Atomos Business Development Manager Will Thompson at NAB to discuss functionality, pricing and availability: More »

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Apertus Axiom Alpha03_1It’s been a long road for the team over at Apertus, but they’ve reached a major milestone: they are recording footage and are finally showing it to the public. To put this into perspective, Apertus first announced their plans to build a camera from scratch nearly 2 years ago, and in that time with just a small group of people they’ve got a working product. It should be noted that for testing purposes the first step is getting HDMI recording working (though they will eventually use 3G-SDI and they did show off a 4K RAW image back in January – it’s just a lot of data to handle for full motion footage and that’s an end goal with the Axiom). Either way, it’s a huge accomplishment, so check out the very, very early prototype footage below. More »

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Apertus Axiom open-modules-concept-front-V1 croppedYou may have read some of our previous coverage on the Apertus Axiom Open Source 4K camera (not to be confused with Axiom Images who just shot RED DRAGON aerials), but the concept continues to improve. The team is hard at work on their prototypes, and while their module concept idea is not new, they are working on having the first open source camera with easily interchangeable mounts, sensor filters, and even image sensors. Click through for more on their open module concept and how they’ve expanded it. More »

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Apertus Axiom Modular Camera CompleteThe Apertus Axiom project, which is trying to build the first open source 4K RAW Super 35mm camera, has been making steady progress over the last year or so, with a significant amount happening in the last few months. The team has been working hard with the CMOSIS 4K sensor that will eventually be in a completed camera, and they’ve now delivered the first 4K DNG for all of you to mess around with. More »

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Pomfort ClipHouseThe flexibility that RAW images provide filmmakers in the post-production process is absolutely astounding. However, in the words of Bret Michaels, “Every rose has its thorn.” The thorn, in this case, is the fact that RAW files can make your workflow quite a bit more cumbersome than it ever would be with compressed codecs. Despite Premiere Pro’s recent addition of native support for Cinema DNG files, more often than not it still makes more sense to create proxies and use an online/offline workflow. Even though there are  solutions for processing RAW files, many people still feel that RAW is more trouble than it’s worth because of the post-production headaches. Well not any more, because Pomfort’s highly anticipated RAW processing software, simply called ClipHouse, has now hit the market. More »

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Blackmagic Pocket Cinema CameraBlackmagic has issued another update for the Pocket Cinema Camera (after the recent RAW firmware), this time to fix what was actually a rather annoying issue related to shutter speed and motion blur. When the camera was set to a 180 degree shutter (or 1/48th of a second) and 23.98 fps or 24 fps, the motion blur actually looked more like a 360 degree shutter (or 1/24th of a second). To see the difference, check out the video below: More »

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Blackmagic Pocket Cinema Camera - FrontIt’s been in the works for some time now, but CinemaDNG RAW recording has finally arrived for the Blackmagic Pocket Cinema Camera (which is now in stock at places like B&H if you’d like to pick one up). Though it was mentioned that RAW would be ready when the camera began shipping over the summer, more time was needed for testing and to ensure that it worked properly. Check out more from the announcement below as well as which SD cards you’ll need to actually record in RAW. More »

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apertus axiom-modules-cinemadng 4k raw camera open source alpha prototype2In an age of 6K RAW and 2.5K for $2K cameras rapidly announced and released, it’s possible even for novel and notable concepts to fall by the wayside. Amongst the competition, I’m sure I was not alone in hoping against such a fate for the fully-open source Apertus Axiom camera project. A fully transparent and modular global-shutter Super35 CinemaDNG 4K with 15 stops of latitude and 150 fps at full-res is still a damn desirable piece of equipment. It now appears that the Axiom is showing its first signs of life with an improved modular design. Check out the details below. More »

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Video thumbnail for vimeo video Edit Blackmagic CinemaDNG & Magic Lantern RAW Natively in Premiere with GingerHDR Plugin - nofilmschoolI’ve been talking a lot about offline/online workflows lately — how they have, in principle, been used for ages, and still play today, tape or no tape. Such a post production process allows less fortunate folks (such as myself) to work with footage like Blackmagic Camera CinemaDNG and Magic Lantern RAW on hard-pressed machines. But what if your computer can handle the media, and you’re sick of waiting through long post processes for CDNG? Ginger HDR may be the solution for you. The plugin allows native editing of CinemaDNG, and now, even ML .RAW files directly, in Adobe Premiere Pro and After Effects. One user has also devised a work-around for developing CDNG with the powerful Adobe Camera RAW interface, after native Premiere editing. Check it all out below. More »

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Video thumbnail for vimeo video Meet the Hunter-LUT, a Beautiful Alexa-Like Look for 5D Mk III CinemaDNGs (Plus RAW Workflow Tutorial!) - nofilmschoolSuffice it to say some lucky, happy campers here at NFS have recently (finally) gotten their hands on a refurbished Canon 5D Mark III. Substances will surely flow in the not-too-distant future — and by substances I think I mean “footage.” We recently came across an overall-helpful 5D3 RAW DaVinci Resolve workflow tutorial from DP Hunter Hampton Richards, which we have found very helpful in our early experiences. Hunter has devised his own custom LUT to Alexa-ify your 5D CinemaDNG RAW footage, emulating that camera’s Rec. 709 output. Hunter also digs Purity Ring, so you’ll definitely want to check this out. More »

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Since its release last year, we’ve know that Sony’s FS700 — the high-speed ‘little brother to-be’ of the F5 and F55 — had 4K capabilities awaiting in its future. This option, with 4K RAW speeds up to 120fps burst shooting and 2K RAW up to 240fps (continuous) is made possible by a ‘middle-man’ interface/adapter module, the HXR-IF5 along with the AXS-R5 recorder. What we probably didn’t expect was support for 2K CinemaDNG at up to 240fps, or even 4K DPX at a more modest 30fps (still — it’s DPX) by way of another external recorder, the Convergent Design Odyssey7Q. Click through for further details from Sony, some speculative pricing on the R5, and a quick look at these beastly additions to the FS700 system. More »

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Ever asked yourself, “What in the f#$% is a LUT?!” Or what a LUT’s relationship is with color space? Or what a color space is? If “yes,” not to worry — these concepts can be fairly confusing. Fortunately, engineering can and will work for you as an artist, so long as your understanding of it covers the fundamentals. And even if you answered “no” to all the above, you should still check out some of outstanding basic-breakdowns of these concepts below — including how to convert CinemaDNG footage into the Academy Color Encoding Spec color space (ACES) in Davinci Resolve, plus how to use that very program to generate dailies (like a boss). More »

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By coincidence or not, it seems like each camera announced to use CinemaDNG as its RAW shooting format is poised to change the world in its own way. The Blackmagic Cinema Camera and the ~$3K Digital Bolex D16 seek to put quality acquisition tools in nearly anyone’s hands, while the future-bound Aaton Penelope Delta and open source Apertus Axiom bear their own technical notabilities (and nobilities). Clearly it’s time to really start wondering about CinemaDNG. As of now, the license-free format is being adopted by way more cameras than NLEs, and workflow questions, concerns, and schools of thought and technique abound. There’s hope and then some, though — just over the horizon the RAW processing software shipping with the Digital Bolex D16 just might change the world in its own way, too. More »

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Upon its eventual release, the Aaton Penelope Delta just might be the most innovative digital cinema camera on the market. The Delta features 14 stops of latitude, onboard 3.5K RAW recording in CinemaDNG (with simultaneous proxy recording ability), the world’s first optical viewfinder for a full-res internally-recording camera, an ISO 800 base sensitivity, a mechanical shutter able to reduce that sensitivity by 3 full f-stops, a revolutionary sensor package that simply boggles the mind, and all within a quiet, operator-friendly body. This machine means business — and it’s not going to be cheap, either — but the specs and design plainly speak for themselves. Read on for the full details. More »