» Posts Tagged ‘dslr’

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LibecA few days before the kickoff of NAB, Libec announced their new integrated tripod system, ALLEX, which allows users to use pan, tilt and slide camera movements with a 3-part setup made up of a tripod, ball head, and slider. We were able to stop by their booth to talk a little bit about the ALLEX system, so check out our latest NAB video to see it in action, as well as get more information about their video contest that will award 5 winners with ALLEX gear. More »

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Sony A7s at NAB 2014Sony’s new camera at NAB this year comes in a familiar form factor for all of the DSLR users out there. The Sony a7S, an extension of the previous a7 models, is a full frame 12.2 megapixel sensor capable of HD recording up to 120 fps, with 4K recording only through HDMI to an external recorder such as the new Atomos Shogun. Hit the jump to watch our interview with Sony at their NAB booth: More »

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LibecIn a move to enter the consumer DSLR camera market, professional camera support company Libec has announced their brand new tripod system, ALLEX, which with its integrated design, will give more usability to filmmakers working with little money, time, and/or experience. Made up of a tripod, slider, and ball head, the ALLEX system allows users to pull off a number of simple, yet dynamic camera movements, raising the potential production value on your next low-budget project. Continue on to find out more about Libec’s ALLEX system. More »

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SpielbergAs he is arguably the most successful Hollywood director of all time, it should surprise no one that, even as a teenager, Steven Spielberg was a prodigy. Like many kids of his generation, he used a Super 8 camera to make short films; unlike most of them, he had a preternatural knack for filmmaking, and, at the age of 17, wrote and directed a 135-minute sci-fi epic, Firelight. Click below to read the story of Spielberg’s first (and extremely indie) foray into feature filmmaking, and watch the surviving footage! More »

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Panasonic GH4 - ZacutoThe new 4K-shooting Panasonic GH4, which should arrive sometime next month, has gotten quite a bit of attention, not just because of its specs, but also because of its price. Unfortunately, there have been some confusing details about what the camera is actually capable of doing without the expensive add-on grip, the YAGH Interface Unit, which adds XLRs, 3G-SDIs, and a full HDMI port. Thanks to Zacuto, we’ve now got some better details from Panasonic about what the camera can really do. More »

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Nikon D4S Front LensTwo years ago Nikon announced the D4, which finally took video offerings from the company to the next level. While their D800 actually proved to have better video quality, the move at least showed that Nikon was serious about providing quality that rivaled Canon. First soft-launched at CES back in January, the new D4S builds all of the things the D4 got right, and gives us video people some additional features, like 60fps at 1080p and a mind-melting 409,600 max ISO — as well as the ability to adjust audio levels while recording. More »

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Panasonic GH4 4K Front No LensThe camera made its first appearance at CES in January, and now the 4K Panasonic GH4 is finally here. While we weren’t sure if Panasonic was going to create a whole new line with the camera, it seems like this is definitely some sort of successor based on Panasonic’s wording, and it is building off everything that was good about the GH3. We’ve got full specs and photos below, as well as the first video shot in 4K on the camera, so click through for more. More »

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Panasonic GH 4K Angle EngadgetThis month in Las Vegas at the annual Consumer Electronics Show, Panasonic gave us a taste of what will be its first 4K camera, the 4K GH (or GH4K as it has also been known). They didn’t publicly reveal too much about the camera except for the body — which looks very much like a GH3 with a brand new 4K sticker on it. We have learned, however, that the new camera from Panasonic could be announced as early as next week. Click through for more. More »

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Iris Rod Support Standards 15mm 15mm LWS 19mmIn the flooded market of new camera accessories, one can easily become confused as to which support gear is best for which camera setups. Iris rods should be found on almost every camera setup in the world, but which sizes and spacings should you use? Read on to clear up any confusion you might have between ARRI’s three rod standards: 15mm LWS, 15mm and 19mm Studio. More »

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Nikon-D4s-CES-2Nikon took a huge step forward in video quality with the release of the D800, but their flagship D4 was a bit disappointing in that department (even though it did have better low-light capabilities). With Canon pushing into the 4K DSLR space with cameras like the 1D C, and Panasonic including 4K in its next GH camera, it’s really only a matter of time before Nikon jumps into the ring. Click through for more on a possible 4K future for Nikon. More »

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Old Super8 cam

When many of us first picked up a camera, it was whatever we had lying around. Maybe it was dad’s old Super 8 at home or the Handycam in your high school yearbook class. It was available, affordable, and convenient, so the choice was already made whether you knew it or not. Today, however, there are a lot of cameras out there so naturally beginning filmmakers will ask themselves, “How do I choose a camera?”

This is a guest post by Joyce Tsang of Stillmotion. More »

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Magic_Lantern_logo-whiteThose part of Magic Lantern are always hard at work tinkering away to give us mere mortals better cameras at zero cost. They were able to pull a rabbit out of a hat and give us RAW video on Canon DSLRs, which is a huge step up on video quality from the standard H.264 files the cameras normally record to. Now they’ve got another trick up their sleeve that can actually improve dynamic range about half a stop — but there are some caveats at this early stage. More »

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Nikon D3300 with Lens AngleNikon has replaced their entry-level DSLR once again, and while the previous D3200 and the new D3300 are very similar, there are a couple major differences: they’ve removed the anti-aliasing filter, and they’ve added 1080p 60fps. That makes the D3300 Nikon’s second DSLR with 1080/60 — the first being the D5300 which was introduced in October. We’ve also got word that Nikon is going to be introducing a new flagship camera, the D4s, and they’ve been showing it off at CES, with an eventual release in 2014. More »

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Panasonic GH 4K Angle Engadget4K is the name of the game at CES this year, and that includes some new camera models capable of the format. Sony showed their hand with the $2,000 4K handycam, and now Panasonic has unveiled more about the GH 4K, which will fit into their mirrorless camera line. Engadget snapped a few photos of the new 4K cam at the Panasonic booth, and managed to get some new details from the representative there. More »

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trost durable field camera slider shooting platform movement steel 01The DSLR revolution ushered in an explosion of one-person-crew gear options, and the slider has been no exception. Many manufacturers offer variations on the basic yet effective sliding camera platform, including Redrock, edelkrone, DitoGear, and Rhino. Now, a manufacturer called Trost is introducing a very sleek-looking slider aiming for extreme dependability and durability. Trost sliders feature hand-machined steel components, a quickly adjustable design, and the strength to support (some of) the weight of a 1983 Toyota Tercel. If you had any sliders on your holiday wishlist, you might want to check below for more details. More »

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Nikon Df Silver with 50mm LensToday was the unveiling of the not-so-secret Nikon Df (digital fusion) DSLR. While many are calling the design “retro,” Nikon has really gone back to what made shooting photos easier: physical dials. Not everyone is pleased, but the goal for the company was to make a product that attempted to remove the barrier between the photographer and the photography, something that film cameras arguably did by being simple mechanical devices. As a part of the strategy, however, Nikon has also gone against the grain and removed all video features from the camera. But if a Japanese camera company is willing to release a ‘fusion’ photography camera, where’s the ‘fusion’ digital cinema camera? More »

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Doin it in the park

Doin’ It In the Park: Pick-Up Basketball, NYC is an unabashed success story for first-time feature directors Bobbito García and Kevin Couliau, who filmed basketball on 180 courts across New York City’s five boroughs. They shot the feature on the Godfather of DSLR cinematography, the Canon 5D Mark II, and took advantage of being a mobile production unit by biking to the majority of their locations. Following a theatrical tour the world over and a successful direct digital release using VHX, DIITP is available today on iTunes, Amazon.com, VUDU, Google Play, PlayStation, Xbox, and cable VOD everywhere. As a basketball player who’s spent plenty of time on outdoor NYC courts, and as a Kickstarter backer of the project, I couldn’t pass up the opportunity to sit down with the filmmakers to ask them how they did it. More »

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Sigma 24 105mm f4Sigma has announced the 24-105mm f/4, the latest addition to their Global Vision line. With all the talk circulating around Sigma’s 18-35mm f/1.8, with its high performance and price tag that’d make any low-budget filmmaker smile, it might be safe to say that their newest lens might generate a significant amount of attention, too. According to cinema5D, the lens will find itself amongst a lot of competitors, and without reviews or demos to gauge its performance, we have to rely on the specs given. Read on for more information on Sigma’s new lens, including specs and price tag. More »

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panasonic gh3 rumors higher bit rate wide dynamic rangePanasonic has done a tremendous job with the video quality on their mirrorless photography cameras (especially when hacked in the case of the GH2), but their video options in a dedicated camera have lagged behind both Sony and Canon, who chose to go with larger sensors for their dedicated video cameras. Now, it looks like Panasonic is trying to come back at the game at the lower end with a 4K-shooting camera, and give excellent capabilities in a small form factor. More »

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Nikon D5300 FrontNikon has been slowly improving the video quality on its entry and mid-range APS-C DSLRs, after beating everyone to the punch with the D90 back in 2008. While that camera was limited to 720p and a very low bit rate, we’ve now finally got full 1080p at 60fps in an affordable Nikon camera, which means real slow motion when played back at 24fps or 30fps. The D5200 rarely suffered from moire and aliasing thanks, in part, to a brand new sensor made by Toshiba that was better suited for video. The D5300 may have a slightly improved version of the same sensor with the low pass filter removed (or maybe a brand new one), but video quality should be similar. Check out more of the new features below. More »