» Posts Tagged ‘finalcutpro’

Description image

ProRes 4444 LogoApple just recently updated Final Cut Pro X, with better options for managing optimized, proxy, and rendered media, so that they can be stored anywhere outside of the library, and also all be deleted from inside Final Cut Pro X. In addition to the changes in FCPX 10.1.2, Apple updated Compressor and Motion, and they also launched a brand new codec, ProRes 4444 XQ, which promises even higher fidelity than ProRes 4444 at the cost of additional disk space. More »

Description image

FCPX Workshop Larry JordanCreativeLive is one of my absolute favorite educational websites. For those of you who are unfamiliar with the site, it offers educational video workshops in a variety of creative disciplines – everything from photography and filmmaking to audio production and business tips for creatives. Like most websites of this nature, the content can be purchased and viewed on your own schedule. But the thing that sets CreativeLive apart from its competitors is the fact that all of their courses play live (and for free) before they end up in the archives. So if you’re free this coming Monday through Wednesday (June 23-25). you can watch Larry Jordan teach a three-day masterclass in FCPX without spending a dime! More »

Description image

Dave Dugdale Swim CommercialBack at NAB 2014, Dave Dugdale, who runs Learning DSLR Video, took some interview footage and b-roll he had shot previously, and sat down with editor Chris Fenwick for a three-hour editing session. The goal was to see what Chris could do with the footage having never seen it before. The video has some great tips for editing interviews down to their most powerful and interesting bits, and if you’ve never used Final Cut Pro X (or you want to know it better), Chris talks about how he uses the program effectively. More »

Description image

final cut pro x fcp fcpx library manager media software nle non linear editing system app organization video 2Managing media requires attention and diligence — otherwise, it can become a headache. Fortunately for users of Apple Final Cut Pro X, app-makers Arctic Whiteness have just released Final Cut Library Manager 2. Expanding on the organizational capabilities of FCPX, Library Manager 2 gives editors a bird’s-eye view of all Final Cut Libraries, even if they exist on unconnected volumes. For those which are locally online, Library Manager offers a slew of features for both micro- and macromanagement of media. Check out some details below. More »

Description image

Nodes 2There are many plugins out there for all sorts of post production platforms that make it possible to generate 3D models, creating amazing effects you wouldn’t be able to pull off otherwise. One such plugin is Yanobox’s Nodes, which has been used on major effects driven films, such as The Avengers, Planet of the Apesand Ender’s Game. Nodes fans may be happy to hear that version 2 of the powerful motion graphics plugin is now available. Continue on to find out all about Nodes 2, including its many features, tutorials on how to navigate it, which platforms it supports (it’s only for OSX unfortunately), and how much it’ll cost you. More »

Description image

GLEBHOUSE

John Cassavetes once said, “Anyone who can make a film, I already love.” The decision to make any movie is a leap of faith, and more so when you’re a trained physicist who emigrated from the former Soviet Union and gives up a steady paycheck on Wall Street to follow your artistic, cinematic dreams. Such is the case with unlikely filmmaker Gleb Osatinski, whose new short is gaining him a lot of attention for its otherworldly appeal. We talk to him about life and film in the former USSR, the beauty of the open-ending, and risking everything for a dream. More »

Description image

FCPX Mac Pro Maxed OutLate last November, Apple upped the ante with their video editing solutions when they released the long-rumored redesign of the Mac Pro alongside a major update to FCPX, one which was specifically engineered to provide maximum performance in tandem with the new machines. We’ve already seen some preliminary tests of the performance of this hardware/software combo, and the results were pretty convincing. However, the folks over at fcp.co went above and beyond the previous tests and pushed the new Mac Pro and FCPX to their absolute breaking point. Their results, which are pretty damn crazy, shed quite a bit of light on just how powerful this combo is. More »

Description image

Final Cut Pro X Logo with WordsSince its release almost three years ago, Apple’s Final Cut Pro X has been heavily criticized by higher-end productions who might have previously worked on Final Cut 7, including people like Academy Award-winning editor Walter Murch. The newest version of FCP X is quite a bit more mature, and includes many of the missing features editors complained about initially. It also has improved project management, making it much easier to share projects among a group. Now we have word that the first major Hollywood film is editing on FCP X. More »

Description image

NLE Survey Dave DugdaleThe NLE market has seen quite a few changes over the last decade, with Final Cut digging into Avid’s dominance, and now Premiere gunning for those who fled the changes in FCP X. So which non-linear editing programs are people actually using right now? Dave Dugdale of Learning DSLR Video conducted an online survey to try to answer that very question. Here are his results: More »

Description image

Mac ProWe already know that the brand new Mac Pros are impressive machines, both in terms of raw specs and design. However, until this point it’s been unclear just how fast these new computers are in comparison to older versions of the Mac Pro, as well as in comparison to some spec’d-out iMacs and MacBook Pros. We here at No Film School have taken the time to pull together the first round of speed tests and benchmark tests from a few tech sources around the interwebs, and not surprisingly, the new Mac Pro is an absurdly fast computer. Stick with us to see just how fast. More »

Description image

5

Apple’s release of the Final Cut Pro X 10.1 update came with a number of new features. From more 4K software and hardware support to better project and media management, FCP X’s new capabilities are many, and here to share his first impressions of the update is a filmmaker who has had extensive experience with the powerful NLE.

This is a guest post by Austin Mace. More »

Description image

Final Cut Pro X 04-Library-ModelA new Mac Pro wasn’t the only thing coming out of Apple yesterday. They also introduced a major new update for their NLE, Final Cut Pro X. This 10.1 update adds a number of features, including more 4K software and hardware support, optimized dual-GPU performance, native support for more camera files, and the ability to upload 4K videos directly to YouTube. Perhaps the biggest addition, however, is a change in the way FCPX organizes projects, which should make for much better project and media management. More »

Description image

Video thumbnail for vimeo video Watch: Light Iron's Michael Cioni Tours Media Innovations (Including Final Cut Pro X) - nofilmschoolLight Iron is a post-production company that is no stranger to innovation. The company is known for its handling of Fincher’s The Girl with the Dragon Tattoo and its end-to-end 4K production — as well as its on-set hardware and software tools. Given LI’s progressive attitude, it isn’t too surprising that CEO Michael Cioni recently sat down to present a variety of non-Light Iron production tools (with one exception) that he sees as innovations. Cioni hits upon MōVI, the Canon C500, Ki Pro Quad, LI Live Play, and FCPX, all within the context of why and how they are future-ready. To see this innovator’s thoughts on production innovations, check below. More »

Description image

Video thumbnail for youtube video Editing 'Minority Report' Style: Editors Keys' Gesture-Based Interface for Final Cut Pro - nofilmschoolWe’ve seen a few early attempts at touch-based editing interfaces, using devices like the iPad. It may take some time for touch-based tools to mature into something better/faster than good ol’ fashioned keyboard input, if ever, but the developments are interesting to say the least. Now, Editors Keys are working on a totally gesture-based system for the Leap Motion Controller, for ‘lift of a finger’ interfacing with Apple Final Cut Pro X, Adobe Premiere & Photoshop, Avid & Pro Tools, and beyond. As always, editors will have to judge whether Minority Report-style control over their NLEs is viable. That said, it will be quite fascinating to see where technology like this goes. Read on for a demonstration by Editors Keys. More »

Description image

adobe premiere pro creative suite cs6Though there have been some seriously divided opinions on the new Adobe Creative Cloud-only strategy, there is no question the company has made a dent into what was once Final Cut Pro and Avid territory. The Coen Brothers, Academy Award winners for Fargo and No Country for Old Men, have been editing their own films since they began their careers (under the name Roderick Jaynes), and they’ve been using Apple’s software until now: their newest film, which has not begun shooting, will be edited on Adobe Premiere. More »

Description image

We’ve seen a few apps capable of controlling different programs on your computer with an iPad. A recent app that caught our eye, ProCutX, is capable of controlling Final Cut Pro X with your iPad, and replacing many of the functions normally done with a keyboard. For a limited time (possible only a few more hours), the full app, which is normally around $25, is now free on iTunes. Click through for a video walk-through of ProCutX. More »

Description image

Apple has been losing its grip on the professional editing market ever since Final Cut Pro X was launched in 2011 to much skepticism. With Avid and Adobe welcoming a lot of FCP7 refugees, Apple is now once again targeting those customers with its latest free update to FCPX. The major features include support for Sony’s new XAVC codec up to 4K resolution, and the option to display ProRes Log C files from the Arri Alexa in Rec. 709. Also included in the free update are various fixes to both Compressor and Motion. Get the full details after the jump. More »

Description image

The keyboard can certainly be a powerful and efficient control surface for non-linear editing, especially with the mastery of hot-keys and short-cuts. Despite this, some editors desire a more visually intuitive way of interfacing with their NLE. There are those that prefer specialized color-coded editing keyboards or keyboard covers, while others swear by their tactile controllers. Those can go for around $80, but what about using an infinitely configurable iPad to take the place of one of these consoles? We’ve already seen one iOS app capable of controlling a wide range of video software, but with a new iPad app called ProCutX, Apple editors have yet another way to turn their tablet into a Final Cut Pro X console. Check out some images and details below. More »

Description image

Canon’s 4K video capable DSLR, the EOS-1D C, has marked an upset for the DSLR industry — and in more ways than one. Many feel that the addition of Motion-JPEG alone is not worth the camera’s $12K price point. This is particularly the case when weighing in controversial speculation that internally it’s mostly identical to its $7K 1080p sibling, the 1D X — and the fact that Canon is likely anticipating with gritted teeth the possibility of firmware hacks 4K-ifying the 1D X. That said, it could be a near-perfect blend of features depending on your application. If this is the case for you, but you want the chance to check out or grade some full-res video footage before pulling the trigger, you’re in luck — planet5D has just posted some downloadable 1D C 4K footage for your viewing consideration (assuming of course your machine can handle it). More »

Description image

Not too long ago we told you about a color corrector plugin/standalone software solution from Rubber Monkey that not only tries to mimic the looks of many film stocks, but does it in a way that is particular to the exact camera you’re using. Until now the only cameras that were guaranteed to work properly with FilmConvert to achieve the specific look were Canon DSLRs and RED cameras, but now they are adding support for the Panasonic GH2, as well as support for more Canon picture profiles, and a brand new plugin for Final Cut Pro 7. More »