» Posts Tagged ‘premiere’

Description image

Screen Shot 2014-05-27 at 8.11.15 PM

Our festival run is almost complete and we’re preparing for our imminent online launch. Direct distribution is a moving target, and we’re constantly shifting our release strategy and making adaptations we feel are necessary. Our latest adaptation is going to be making the film available on more than one platform when we release. For this post I’ve also put together the first of three videos from hours of interview footage on the cast & crew’s experience of making Menthol. Click through to keep following along and to watch the video. More »

Description image

DamNation co-director Ben Knight avoids a surveillance helicopter while filming the demolition of Condit Dam on Washington's White Salmon River in a scene from DAMNATION Photo DamNation Collection

Being a director requires a certain persistent stubbornness to get a film made the way you want it. In the case of Ben Knight and Travis Rummel, this meant saving money for six years to buy the RED EPIC, having strict rules about shooting on tripods (even underwater), camouflaging oneself to film unnoticed at demolish sites, and editing every frame of the film in unadulterated 4K. The payoff? A breathtaking film that won the SXSW Audience Award and is opening on the big screen this weekend. In the No Film School interview below, find out how the filmmakers of DamNation made their cinematic doc, and where you can catch it in theaters. More »

Description image

Menthol at 18th Sofia International Film Fest

The process of releasing and distributing my first film has been a challenge, and as we enter the last month or so of pre-release work I will be sharing more a long the way. In the previous two posts in this series I talked about cutting a trailer and shared philosophical ramblings after our world premiere. In this post, I’m gonna talk about our international premiere experience, putting on our own screenings and preparing for the next steps before release. Hit the jump to read more. More »

Description image

Nodes 2There are many plugins out there for all sorts of post production platforms that make it possible to generate 3D models, creating amazing effects you wouldn’t be able to pull off otherwise. One such plugin is Yanobox’s Nodes, which has been used on major effects driven films, such as The Avengers, Planet of the Apesand Ender’s Game. Nodes fans may be happy to hear that version 2 of the powerful motion graphics plugin is now available. Continue on to find out all about Nodes 2, including its many features, tutorials on how to navigate it, which platforms it supports (it’s only for OSX unfortunately), and how much it’ll cost you. More »

Description image

Green Screen Premiere ProWe all know how important lighting is in the process of shooting a subject against a green screen. However, having the ability to pull a solid key from any footage (whether it’s well lit or not) is perhaps one of the most important skills for somebody to have in the world of post-production. This is especially important considering that many low-budget editors are now becoming the one man bands of the post-production process. Luckily, programs like Premiere Pro include a plethora of effects that can be used to pull a fantastic key every single time, and without the need to leave your NLE. More »

Description image

NLE Survey Dave DugdaleThe NLE market has seen quite a few changes over the last decade, with Final Cut digging into Avid’s dominance, and now Premiere gunning for those who fled the changes in FCP X. So which non-linear editing programs are people actually using right now? Dave Dugdale of Learning DSLR Video conducted an online survey to try to answer that very question. Here are his results: More »

Description image

Seedgrade CCColor grading is one of those practices where an in-depth knowledge of your software is absolutely essential to get the job done right. While DaVinci Resolve is quickly becoming the gold standard for grading applications, Adobe users have an extremely powerful alternative in Speedgrade CC, which now has the ability to roundtrip with Premiere much in the same way that other Adobe programs do. One of our readers, Dave Andrade, sent me an excellent tutorial that walks us through the entire process of grading inside of Speedgrade, from small exposure adjustments to output and everything in between. More »

Description image

Premiere Black and WhiteBlack and white seems to be going through a resurgence of sorts. In the past year, a plethora of well-received black and white features have hit theaters, from Frances Ha to Nebraska, the cinematography of which we’ve talked about extensively. While there are multitudes of methods for capturing black and white images in camera, more often than not, modern films are shot in color and then converted to black and white in post processing. Unfortunately, many younger filmmakers think that the only way to accomplish this is through complete desaturation and maybe a boost in contrast. However, the infinite possibilities of our modern color tools open up a world of possibilities when it comes to black and white. Stick with us, and learn how to take creative control of your black and white inside of Premiere Pro. More »

Description image

Preventing App Nap OS X MavericksApple has been moving more and more mobile over the last half decade or so, but they threw a bone to those of us still using Mac desktops or laptops by giving away their new operating system, OS X Mavericks, completely free. While Mavericks includes a couple of key changes from the previous version, one in particular might be giving you some serious trouble, even if it was designed as a feature, not a bug. That feature is something called App Nap, and it may be causing your background renderings to fail with programs like Adobe Premiere, Final Cut Pro X, and DaVinci Resolve if you’ve upgraded your OS to 10.9 Mavericks. More »

Description image

Premiere Pro CC 7.1 UpdateAlthough many people still aren’t thrilled with the subscription model of Adobe’s Creative Cloud, it’s difficult not to be happy with the regularity with which they are now able to roll out major updates to the software. Last month, Adobe released a comprehensive list of new features that would be added in the 7.1 update of Premiere Pro CC, new features like native support for CinemaDNG and RED DRAGON footage, and a legitimate roundtrip process between Premiere and SpeedGrade. This evening, Adobe released the update, and it is available and ready for download. Before you start playing with the upgraded software, however, check out reTooled.net’s awesome video overview of these new features: More »

Description image

Side by Side (Stillmotion/Marmoset Doc)

Art is a funny thing. As a form of personal expression, art, in its many forms, can be tremendously powerful and provide a sense of catharsis unlike anything else. However, when groups of people come together and creatively collaborate, something overwhelmingly powerful happens: a piece of content much larger than the individuals involved is born and takes flight. The product becomes a reflection of not only a time and a place, but an expression of what it means to be a human in that time and place. With this in mind, nofilmschool is proud to exclusively premiere a brand new short documentary from our peeps at stillmotion and Marmoset called Side by Side that celebrates the process of creative collaboration. More »

Description image

5d 5d3 magic lantern ml raw offline online workflow bmd blackmagic design davinci resolve adobe premiere tutorial card

When I started playing around with Magic Lantern RAW video, two things came to mind: First, a camera called the “5D” was once again the nucleus of a low-budget cinematographic revolution — this time thanks to the Magic Lantern team; Second, how was I ever going to be able to edit what I’d shot? I’ve learned a lot since then, and it turns out an offline/online, proxy-based workflow is not only possible, but powerful. Check out the process that I’ve been using to round-trip Magic Lantern RAW between Adobe Premiere CC and DaVinci Resolve Lite below. More »

Description image

Video thumbnail for youtube video Editing 'Minority Report' Style: Editors Keys' Gesture-Based Interface for Final Cut Pro - nofilmschoolWe’ve seen a few early attempts at touch-based editing interfaces, using devices like the iPad. It may take some time for touch-based tools to mature into something better/faster than good ol’ fashioned keyboard input, if ever, but the developments are interesting to say the least. Now, Editors Keys are working on a totally gesture-based system for the Leap Motion Controller, for ‘lift of a finger’ interfacing with Apple Final Cut Pro X, Adobe Premiere & Photoshop, Avid & Pro Tools, and beyond. As always, editors will have to judge whether Minority Report-style control over their NLEs is viable. That said, it will be quite fascinating to see where technology like this goes. Read on for a demonstration by Editors Keys. More »

Description image

Video thumbnail for vimeo video Edit Blackmagic CinemaDNG & Magic Lantern RAW Natively in Premiere with GingerHDR Plugin - nofilmschoolI’ve been talking a lot about offline/online workflows lately — how they have, in principle, been used for ages, and still play today, tape or no tape. Such a post production process allows less fortunate folks (such as myself) to work with footage like Blackmagic Camera CinemaDNG and Magic Lantern RAW on hard-pressed machines. But what if your computer can handle the media, and you’re sick of waiting through long post processes for CDNG? Ginger HDR may be the solution for you. The plugin allows native editing of CinemaDNG, and now, even ML .RAW files directly, in Adobe Premiere Pro and After Effects. One user has also devised a work-around for developing CDNG with the powerful Adobe Camera RAW interface, after native Premiere editing. Check it all out below. More »

Description image

Premiere Pro CCWhen you upgrade to the latest version of your favorite NLE, it can get pretty frustrating not being able to move as quickly or efficiently as you did before simply because you’re not as familiar with it as you might like to be. I had this experience recently while cutting together a fresh version of my cinematography reel in Premiere Pro CC, and quite frankly it made me a little angry that simple functions weren’t working as they had previously. However, I found an excellent tutorial that has everything you’ll ever need to know about the new features in Premiere. Hit the jump to watch the video: More »

Description image

Dual AMD FirePro GPUs Apple New Mac ProWhile on the surface it might seem like Apple is making a huge mistake not at least offering NVIDIA on their new system, it looks look those dual AMD workstation FirePro GPUs have a few tricks up their sleeve, especially as it relates to OpenCL support on both Blackmagic’s DaVinci Resolve 10 and Adobe’s new CC software suite. Both are major players right now in the video space, and there will be some serious hardware acceleration thanks to these processors. More »

Description image

Video thumbnail for vimeo video Audio101 - What is a Submix - nofilmschoolJust as digital imagery can be manipulated in post with a number of approaches — combinations of which may be used to achieve pretty much the same effect — working with audio is a malleable exercise. It’s become even more malleable recently thanks to innovative sound manipulation interfaces which provide a powerful palette for painting, re-painting, and un-painting sound. That said, some tenets of the basic audio interface design haven’t changed much in decades. One such basic is the submix. Check out a great demonstration of the undiminished usefulness — and power — of ‘subs’ below. More »

Description image

adobe premiere pro creative suite cs6Though there have been some seriously divided opinions on the new Adobe Creative Cloud-only strategy, there is no question the company has made a dent into what was once Final Cut Pro and Avid territory. The Coen Brothers, Academy Award winners for Fargo and No Country for Old Men, have been editing their own films since they began their careers (under the name Roderick Jaynes), and they’ve been using Apple’s software until now: their newest film, which has not begun shooting, will be edited on Adobe Premiere. More »

Description image

FreshDV sits down with Premiere Product Manager Al Mooney to discuss the latest from Adobe, including highlights from Premiere and their approach to providing “editing finesse” for users. They also talk about SpeedGrade integration, the Creative Cloud, the competition from Avid and Final Cut, GPU support, enhanced ProRes and DNXHD support, and the “link and locate” feature. Hit the jump for the videos: More »

Description image

We recently featured several practical but effective techniques for creating the (by now) famous Matrix-esque ‘bullet-time’ effect — accomplished, in more than one case, by using an evenly spaced array of GoPros and some post-processing elbow grease. Clearly, the availability and portability of such cameras is catching on beyond conventional ‘action cam’ uses, and inspiring creatives of nearly any budget to create shots only A-budget Hollywood productions used to be able to pull off. GoPros make sense for such arrays, because they are forgivingly frameable (and decently affordable as far as rentals go). Now, another project has demonstrated what’s possible with these simple but adaptable cameras — in this case, built into a rig that can also be handheld. More »